Find a journal

Search our journals and articles

Find a journal

7 / 2013

Views: 1
Download Full Magazine PDF
Revista: 7 / 2013
Anul Publicarii:2013
Print ISSN: 0255 0539
Revista Transilvania

Științe socio-umane

Arte vizuale

Filozofie și studii sociale

Antropologie și etnologie

Sociologie

Științe politice & juridice

Istorie & Antropologie

Studii culturale

Biblioteconomie

Științele limbii

Științele economice

Antropologie. Studii filozofice

Teologie

Pr. Constantin Necula, Hoc signo

Autor: Pr. Constantin Necula
Email: parintele_necula@yahoo.com

HOC SIGNO

The present study is focused mainly on the dominating figure and personality of Emperor Constantine the Great, aiming at observing and defining the features and keynotes of the Christian vocational leader, originating and acting in crux signum. Such a Christian vocational leader is the result of both divine election and continuous formation. The author
thoroughly shows how Constantine’s personality as a leader was shaped by his mother’s Christian views and education, and then relies on Lactantius’ description of Constantine’s personality in order to achieve a convincing portrait of the Christian educational model for the vocational leader.
Keywords: Constantine the Great, imperial education, sign of redemption, educational ethos, Byzantine paideumic heritage, coroboration of educational ideals

  • Hans-Georg Beck, Erotikon Bizantin. Ortodoxie-literatură-societate, Ed. Nemira, București, 2011.
  • Enzo Bianchi, La differenza cristiana, Giulio Einaudi Editore, Torino, 2006.
  • Casiodor, Scrieri. Istoria Bisericească tripartită, Ed. IBMBOR, București, 1998.
  • C.M.O Dahl, „Constantin și Imperiul creștin”, Ed. All, 2006.
  • Eusebiu de Cezareea, Vita Constantini, I. 28.
  • Pr. Filotheos Faros, în vol. „Omul fără chip. Înstrăinarea ethosului creștin”, Ed. Sophia/ Platytera, București, 2013, ed. II.
  • Basile Tatakis, Filosofia Bizantină, Ed. Nemira, 2010.
  • Sfântul Vasile cel Mare/ Plutarh, „Despre educarea copiilor. De la desăvârșirea clasică la împlinirea creștină” (ed. bilingvă), trad. Ovidiu Pop, Sophia, București, 2013.

Anton Adămuţ, Filosofia şi seducţia Siracuzei

Autor: Anton ADĂMUŢ
Email: antonadamut@yahoo.com

The Philosophy and Seduction of Syracuse

I want to prove in this text that Plato is in an unique situation: he describes homosexual feelings in order to protect himself against. The sexual pleasure as such practiced outside the feeling of love is constantly depreciated. And Plato goes until refusing to sexual pleasure the name of afrodisia. The reason? This word derives from a divine day of name, so that it cannot designate something as despicable as sex. Then, it must be said that Plato does not mistake pleasure with sex. No matter how things are, it remains certain the fact that Platonic experience is an erotic-metaphysical one. It is, in the end, about a philosophy of love at least in the mature dialogues and the philosophy of love would reveal the transformation of love into philosophy. The fact that the experience of reference is homosexual, without any doubt, is true! But the fact that Plato goes till negativity, i.e. till surpassing this type of experience, it does not matter anymore? What des it mean to surpass this type of experience? Simple: it means to recognize it, not to live it. Simply to recognize it in its past source and in its future and creative fecundity of fantasy. Hence “Plato’s modernity”, a modernity that consists in establishing unsuspected boundaries (and, maybe, reckless) between eroticism and metaphysics.

Keywords: Socrates, Plato, philosophy, education, seduction, homosexuality.

  1. Brès, Yvon, Psihologia lui Platon, Editura Humanitas, Bucureşti, 2000

  2. Brulé, Pierre, Les Femmes Grecques À L’Époque Classique, Hachette Littératures, Paris, 2001

  3. Copleston, Frederick, Istoria Filosofiei. Grecia şi Roma, vol. I, Editura ALL, Bucureşti, 2008

  4. Cornea, Andrei, Filozofie şi cenzură, Editura Humanitas, Bucureşti, 1995

  5. Laertios, Diogene, Despre vieţile şi doctrinele filosofilor, Editura Polirom, Iaşi, 1997

  6. Lilla, Mark, Spiritul nesăbuit. Intelectualii în politică, Editura Polirom,Iaşi, 2005

  7. Marrou, Henri-Irénée, Istoria educaţiei în antichitate, vol. I, Editura Meridiane, Bucureşti, 1997

  8. Platon, Opere, vol. I-VII, Editura Ştiinţifică, Bucureşti, 1974-1993

  9. Robin, Léon, Platon, Editura Teora, Bucureşti, 1996

10. Sloterdijk, Peter, Critica raţiunii cinice, vol. II, Editura Polirom, Iaşi, 2003

Stefan Sienerth, Dosarul de securitate al poetului Georg Hophrich (partea a IV-a)

Autor: Stefan SIENERTH

“Confusion became a way of life”. The Security Dossier of the Poet Georg Hoprich

This article refers to the German poet from Romania, Georg Hoprich (1938-1969) and to his Security Dossier. By studying this dossier from the Security Archives, the literary historian Stefan Sienerth highlights and analyses aspects of the writers’ prosecution and of the literary censorship during the Communist period. The poet Georg Hoprich was accused of country betrayal, because he did not dedicate his work to the Socialist Romania, the accusations being based on delation and false testimony. He was sentenced to five years’ imprisonment, but he was released by amnesty after more than three years. Being unable to adapt to the everyday life, as he was still prosecuted by the Security, he committed suicide.

Keywords: Oskar Pastior, Georg Hoprich, anti-communist poetry, hard labour camps, p

Ecaterina Pavel, Dumitru Ţepeneag în dosarele CNSAS

Autor: Ecaterina PAVEL
Email: catipe@yahoo.com

Dumitru Ţepeneag in the secret police files

Această lucrare își propune să analizeze acțiunile susținute ale Securității în perioada 1968-1976, privind monitorizarea grupului oniric și, în special, a unuia dintre liderii săi, Dumitru Țepeneag, așa cum reies din studiul dosarelor aflate în Fondul informativ al Consiliului Național pentru Studierea Arhivelor Securității. Aparatul represiv al regimului totalitar dispunea de metode persuasive de intimidare și influențare bine gândite, printre care inocularea fricii, hărțuirea permanentă sau limitarea resurselor materiale prin refuzul publicării. Fără rezultat în cazul Țepeneag, tacticile Securității se vor plia pe o altă strategie, vizând izolarea, denigrarea și compromiterea scriitorului. Concluziile studiului arată că aceste măsuri aplicate în dreptul lui Dumitru Țepeneag și-au dovedit eficiența nu numai în neutralizarea scriitorului, ci a întregului grup oniric.

Keywords: Secret Police files, communism, censorship, onerism, Dumitru Tepeneag

  • România, Consiliul Național pentru Studierea Arhivelor Securității, Fond documentar, dosarele DUI I 208789, DUI 64750, P 749, SIE 4072, DUI 160190, DUI 263546, SIE 14099, I 260674

  • Breban, Nicolae, Despre grupurile literare, în Contemporanul. Ideea europeană, nr. 11 (692), nov. 2009, pp. 2-4

  • Oprea, Marius, Banalitatea răului, Iași, Polirom, 2002

  • Ţepeneag, Dumitru, Scrisori către Doamna M. – despre anul de grație 1968, în România literară, nr. 46, 22 nov. 1995, pp. 6-7

  • Weiner, Tim, CIA – o istorie secretă, București, Litera Internaţional, 2009

Daniel Puia Dumitrescu, Cenaclul de Luni în Arhiva Fond Documentar a CNSAS. Reguli de bază pentru organizarea și desfășurarea cenaclurilor

Autor: Daniel Puia-Dumitrescu
Email: puiadanny@yahoo.com

The Monday Literary Club within the CNSAS Documentary Archive. Basic rules for organizing and developing a literary club.

The Monday Literary Club had a very important role in creating, educating, and shaping what the History of the Romanian Literature calls “Generation ‘80”. In a recent interview, Florin Iaru, one of the first and the most important members of this generation, tells us how he sees the activity and the role of the club within the age, but also the Romanian literature. Based on his opinion, on the one hand, the Monday Literary Club brought together very valuable people and tried to make the most of them, and on the other hand, the communist regime played a very important role in the poets’ life and poetry. I consider the Monday Literary Club very important for the Romanian history, not only from a literary point of view, but also because of its implications at the time, its strength in defending human rights, the freedom of speaking, the mere daily existence of a citizen who wants to express his opinions freely. This paper starts from my Research within the National Security Archives (CNSAS), which regards the communist implication in this literary club’s existence: collaboration notes and very interesting so called “informational” reports regarding the members of this club. It tries to argue how important was, and still is, the activity of the Monday Literary Club during the communist period, but also its literary, historical, and political implications for the time before it was forbidden and after its closure.
Keywords: communism, Security Police, National Security Archives, The Monday Literary Club, literature, poetry, forbidden, human rights, freedom of speaking

  • Arhiva Fond Documentar, Dosar nr. 10784, CNSAS.

  • Arhiva Fond Documentar, Dosar nr. 10966, CNSAS.

  • Arhiva Fond Documentar, Dosar nr. 11119, CNSAS.

Ioana-Tatiana Ciocan, Tipologii posibile în comedia contemporană /

Autor: Ioana-Tatiana CIOCAN
Email: ciocan_ioana@yahoo.com

Possible Typologies in Contemporary Comedy

Comedies imply the existence of some typologies of characters that give flavor and individuality to this literary genre. This is the way in which the so-called type characters – characterized by defining features – appear. This work analyzes the
new theories on the characters’ typology from contemporary comedy which tends to lose its purity. Current critical approaches identify not only characters belonging to typical typologies of a comedy, but also types and characters taken from tragedy. Type-characters specific to comedies are either social types dominated by exaggerated vices or human types characterized by general representatives such as: the fool and the jester. From tragedy, we encounter in contemporary comedy the image of the hero – often a non-hero or, more accurately, a pseudo-hero and the incarnation of destiny – it appears in the present as the representation of God. Type characters are determined by the obvious traits that fail to exceed them, living in its stereotype. Thus, as works of border, contemporary comedies give birth to a character dominated by ambiguity and heterogeneity.
Keywords: Comedy, contemporary character, Type-character, typology, heterogeneity, ambiguity

  • Abirached, Robert. La crise du personnage dans le théâtre moderne, Paris, Edition Gallimard, 1994

  • Băieşu, Ion. Boul şi viţeii, Bucureşti, Editura Cartea Românească, 1982

  • Corvin, Michel. Dictionnaire encyclopédique du théâtre, Paris, Edition Larousse-Bordas, 1998

  • Corvin, Michel. Lire la comédie, Paris, Edition Dunod, 1994

  • Gârbea, Horia. Decembrie, în direct: Texte pentru teatru, Bucureşti, Editura ALLFA, 1999

  • Ghiţulescu, Mircea. Istoria literaturii române. Dramaturgia, Bucureşti, Editura Academiei Române, 2007

  • Gouhier, Henry. Le théâtre et l’existence, Paris, Librairie Philpsophique J. Vrin, 1991

  • Hinault, Anne-Marie. Le théâtre de Friedrich Durrenmatt et le genre de la comédie noire, Thèse doctorale, Septembre, 1993, sous la direction de Micheline Kessler

  • Lustig, Adrian. Poker şi alte două comedii: teatru, Bucureşti, Editura Compania, 2003

  • Manolescu, Nicolae. Istoria critică a literaturii române. 5 secole de literatură, Piteşti, Editura Paralela 45, 2008

  • Mazilu, Teodor. Teatru, Bucureşti, Editura Cartea Românească, 1971

  • Munteanu, Romul. Farsa tragică, Bucureşti, Editura Univers, 1989

  • Pavis, Patrice. Dictionnaire du théâtre, Paris, Edition Dunod, 1997

  • Popescu, Marian. Teatrul ca literatură, București, Editura Eminescu, 1987

  • Ryngaert, Jean-Pierre. Introduction a l’analyse du théâtre, Paris, Edition Armand Colin, 2010

  • Solomon, Dumitru. Beţia de cucută, Bucureşti, Editura Eminescu, 1984

  • Sorescu, Marin. Teatru: A treia ţeapă; Răceala; Vărul Shakespeare. vol. 2. Bucureşti, Editura Art, 2007

  • Vişniec, Matei. Omul din cerc (antologie de teatru scurt 1977-2010), Piteşti, Editura Paralela 45, 2011

  • Zaragoza, Georges. Le personnage de théâtre, Paris, Edition Armand Colin, 2006

  • Zografi, Vlad. America şi maculatura, Bucureşti, Editura Humanitas, 2007

  • Zografi, Vlad. Petru sau Petele din soare, Bucureşti, Editura Humanitas, 2007

Dan Popescu, Conferință la Academia Română. Cultură şi economie

Autor: Dan POPESCU
Email: dan.popescu@ulbsibiu.ro

Culture and economics

What is culture? How to define economy? How can the relationships between them be defined and materialized? The central idea of the study is that culture, through its content and effects, represents the economy and the economy should represent culture. There are several present and perspective arguments for sustaining these considerations. Also, the notion of social profit is approached. Society and humanity are the ones that would benefit.

Keywords: economy, culture, doctrines, causes, effects, individual profit, social profit, humanity

Studii literare

Adriana Bărbat, Istoriile din „Prinţul Ghica“

Autor: Roxana PATRAŞ
Email: roxana.patras@yahoo.ro

Eminescian poetic lexicology (I): „poetic tongue” and „poetic language”

The analysis follows the stages of development occurred within the theoretical frame of DLPE project (The Dictionary of Eminescu’s Poetic Language), undertaken at “Alexandru Ioan Cuza” University of Iaşi by a research team from the Interdisciplinary Department of Socio-Humanistic Sciences. Our inquiry directs chiefly toward lax notions such as poetic sign and poetic significance, as they represent the actual DLPE minimal unities. Moreover, we take into consideration the subtle glide of the foregoing theory from a perspective oriented by semantic traits and lexical fields to a vision anchored by innovative
concepts such as imagistic field or diffuse semantic sphere. A presumptive mixture of iconic levels (handwriting icons, verbal icons, imaginary icons), the concept of poetic sign – within Mihai Eminescu’s particular frame of mind – evinces its broad complexity only when Perpessicius’ edition of complete works (and variants) and the poet’s own notebooks are collated. The gradual changes of method and cross-breedings of approaches during DLPE history compelled us to turn the original project to its sources, namely Dumitru Irimia’s book, Limbajul poetic eminescian (1979), and Tudor Vianu’s dictionary of Eminescu’s poetic figures. A careful reading of Irimia’s prefatory lines should revive the researcher’s 19th century frame of thinking, centred mainly on psychological assumptions; in any case, these anachronistic instances also go together with the new trend to re-stage Eminescu’s mind by drilling the manuscript pages.
Keywords: Semantic field, Semantic sphere, Imagistic field, Semantic cluster, Conceptual blending, Framing, Sign topology

  • *** Dicționarul limbii române literare contemporane, 4 vol., Editura Academiei R.S.R., București, 1955-1957

  • Both Ioana, Eminescu explicat fratelui meu, Editura ART, Bucureşti, 2012

  • Bulgăr, Gheorghe, De la cuvânt la metaforă în variantele liricii eminesciene, Editura Junimea, Iași, 1975

  • Bulgăr, Gheorghe, Eminescu: coordonate istorice şi stilistice ale operei, Editura Junimea, Iași, 1980

  • Bulgăr, Gheorghe, Momentul Eminescu în evoluţia limbii române literare, Editura Minerva, București, 1971

  • Cimpoi, Mihai, Mihai Eminescu. Dicționar enciclopedic, Editura Gunivras, Chișinău, 2012

  • Constantinescu, Viorica S., Dicţionar de cultură poetică. Eminescu, Editura Universitas XXI, Iași, 2010

  • Coşeriu, Eugen, Sistem, normă, vorbire, în Teoria limbajului şi lingvistică generală. Cinci studii, Editura enciclopedică, Bucureşti, 2004

  • Eminescu, Mihai, Fragmentarium, ediţie după manuscrise cu variante, note, addenda şi indici de Magdalena Vatamaniuc, Editura Ştiinţifică şi Enciclopedică, Bucureşti, 1981

  • Fauconnier, Gilles & Turner, Mark, Conceptual Integration Networks, Cognitive Science,22(2),1998,133-187, http://www.cogsci.ucsd.edu/~faucon/BEIJING/CIN.pdf

  • Gregori, Ilina, Ştim noi cine a fost Eminescu? Fapte, enigme, ipoteze, Editura ART, Bucureşti, 2008

  • Irimia, Dumitru (coord.) Dicționarul limbajului poetic eminescian. Semne și sensuri poetice, I. Arte, Editura Universității „Alexandru Ioan Cuza”, Iași, 2005, II. Elemente primordiale, Editura Universității „Alexandru Ioan Cuza”, Iași, 2007

  • Irimia, Dumitru (coord.), Concordanțele prozei antume, Editura Universității „Alexandru Ioan Cuza”, Iași, 2009

  • Irimia, Dumitru (coord.), Dicționarul limbajului poetic eminescian. Concordanțele poeziilor antume, 2 vol., Memorialul Ipotești – Centrul Național de Studii „Mihai Eminescu”, Editura Axa, Botoșani, 2002

  • Irimia, Dumitru (coord.), Dicționarul limbajului poetic eminescian. Concordanțele poeziilor postume, 4 vol., Editura Universității Alexandru Ioan Cuza, Iași, 2006

  • Irimia, Dumitru, Limbajul poetic eminescian, Editura Junimea, Iași, 1979

  • Marcus, Solomon, Un nou dicţionar Eminescu, în „Romania literară”, nr. 4, 2007

  • Marian, Rodica, Șerban, Felicia, Dicţionarul „Luceafărului” eminescian și textul integral al poemului, Editura Clusium, Cluj-Napoca, 2000

  • Rosetti, Alexandru, Gheție, Ion, Studii de istoria limbii române literare. Secolul al XIX-lea, vol. II, Editura pentru literatură, București, 1969

  • Seche, Luiza, Lexicul artistic eminescian în lumina statistică, Editura Academiei R.S.R., București, 1974

  • Steiner,George, După Babel. Aspecte ale limbii şi traducerii, traducere de Valentin Negoiţă şi Ştefan Avădanei, prefaţă de Ştefan Avădanei, Univers, Bucureşti, 1983

  • Stockwell, Peter, Cognitive Poetics. An Introduction, Routledge, London& New York, 2002

  • Tudor Vianu (coord), Dicționarul limbii poetice a lui Eminescu, Editura Academiei R.S.R., București, 1968

Adriana Bărbat, Istoriile din „Prinţul Ghica“ / 31

Autor: Adriana BĂRBAT
Email: adrianabarbat@gmail.com

The histories from „Prințul Ghica”

The study focuses on the historical novel, Prințul Ghica, written by Dana Dumitriu and its aim is to find out the multitude of histories within it .

I identified two concepts as the bases of this novel: ”the second reality” (Camil Petrescu’s concept) and ”psychological realism” (Henry James’concept). Dana Dumitriu applied these two concepts in her historical novel. The modern historical novel, as understood by Dana Dumitriu, stands where literature/fiction and history meet. She recreates (as ”artistical transfiguration”) historical documents through the multiplication of the perspectives and of the histories.

The conclusion of the study is that Dana Dumitriu’s historical novel is at the same time a valuable literary/fictional work and a historical document gathering different histories through different techniques and perspectives.

Key-words: historical novel, psychological realism, history, artistical transfiguration, multiplication of the perspectives

  • Boia, Lucian. Past Game. History between truth and fiction. Bucharest, Humanitas Publishing House, 2008.

  • Dumitriu, Dana. Autenticitatea evocării istorice. In România literară, year X, no. 17, 28 April 1977, p. 10.

  • Dumitriu, Dana. Istoria în roman. In România literară, year XIV, no. 18, 30 April 1981, p. 4.

  • Dumitriu, Dana. Unanimitatea. In România literară, year XVII, no. 4, 26 Januray 1984, p. 11.

  • Dumitriu, Dana. Prințul Ghica, vol. I. Bucharest, Cartea Românească Publishing House, 1982.

  • Dumitriu, Dana. Prințul Ghica, vol. II. Bucharest, Cartea Românească Publishing House,1984.

  • Dumitriu, Dana. Prințul Ghica, vol. III. Bucharest, Cartea Românească Publishing House, 1986.

  • Ghica, Ion. Scrisori către V. Alecsandri. Bucharest, Publishing House for Literature, 1967.

  • White, Hyden. Metahistory – The Historical Imagination in Nineteenth-Century Europe. Baltimore&London, the Jihns Hopkins University Press, 1973.

Andra Popa, Mărcile stilistice ale formulei teatrale practicate de Dan Botta / 35

Autor: Andra POPA
Email: popa24andra@yahoo.com

The Stylistic Issues of Dan Botta’ s Drama

Beside poetry and essays, Dan Botta also wrote dramas, which reflect his wealthy bookish culture. His dramas cannot be understood without reading his essays, which means an attachment of his literary work. Botta’s dramas are poetical and mythical, and he uses a sort of expressive means, like the use of symbols, the poetic image, the metaphor and repetition, that gives his text a lot of lyricism and musicality. Botta’s literary marks focus on the theme of fate, which can be found in every drama, and the central idea is that fame cannot be changed, and man is a confined being and this gives him a dramatism. Dan Botta focuses on the great theme as love and death, sacrifice and suffering, or charity and honor. These are the great themes of Botta’s dramas.
Keywords: dramas, myth, poetical, The spirit of drama, Alkestis

  • A) Opera lui Dan Botta apărută în volume:

  • Botta, Dan, Alkestis. Bucureşti: Editura Universul, 1939.

  • Botta, Dan, Comedia Fantasmelor. Sighişoara: Editura Miron Negu, 1939.

  • Botta, Dan, Unduire şi moarte. Iaşi: Institutul european, 1995.

  • Botta, Dan, Scrieri, Vol II-IV, ediţie îngrijită de Dolores Botta, prefaţă de Ion Biberi. Bucureşti: Editura Pentru Literatură, 1968.

  • B) Referinţe critice

  • Brădăţeanu, Virgil, Istoria literaturii dramatice româneşti şi a artei spectacolului. Bucureşti: Editura Didactică şi Pedagogică, 1982.

  • Biberi, Ion, Ultime eseuri. Bucureşti: Cartea românească, 1985.

  • Caillois, Roger, Eseuri despre imaginaţie. Bucureşti: Editura Univers, 1975.

  • Ceuca, Justin, Evoluţia formelor dramatice. Cluj- Napoca: Editura Dacia, 2002.

  • Ceuca, Justin, Teatrologia românească interbelică. Aspecte teoretice. Bucureşti: Minerva, 1990.

  • Durrand, Gilbert, Structurile antropologice ale imaginarului. Introducere în arhetipologia generală. Bucureşti: Editura Univers Enciclopedic, 2000.

  • Eliade, Mircea, Aspecte ale mitului. Paris: Gallimard, 1963.

  • Eminescu, Mihai, Proză. Bucureşti: Editura Jurnalul Naţional, 2010.

  • Eschil, Sofocle, Euripide, Perşii, Antigona, Troienele. Bucureşti: Editura Lyceum, 1968.

  • Gassner, John, Formă şi idee în teatrul modern.Bucureşti: Editura Meridiane, 1972.

  • Jianu, Ionel, Între teatru şi literatură. Bucureşti: Editura Palimpsest, 2004.

  • Liiceanu, Gabriel, Tragicul o fenomenologie a limitei şi depăşirii. Bucureşti: Editura Univers, 1975.

  • Măciucă, Constantin, Motive şi structuri dramatice. Bucureşti: Editura Eminescu, 1986.

  • Mincu, Marin, Critice. Bucureşti: Editura Pentru Literatură, 1969.

  • Modola, Doina, Dramaturgia românescă între 1900-1918. Cluj- Napoca: Editura Dacia, 1983.

  • Munteanu, Elisabeta, Motive mitice în dramaturgia românească. Bucureşti: Editura Minerva, 1982.

  • Munteanu, Romul, Farsa tragică. Bucureşti: Editura Univers, 1970.

  • Nişcov, Viorica, Temelii folclorice şi orizont european în literatura română. Bucureşti: Editura Academiei R.S R, 1971.

  • Onu, Eugen, Dramaturgia română între 1900-1944. Sensuri ale evoluţiei. Sibiu: Editura Imago, 1999.

  • Pascal, Blaise, Scrieri alese. Bucureşti: Editura Ştiinţifică, 1967.

  • Petrescu, Camil, Modalitatea estetică a teatrului. Bucureşti: Editura Enciclopedică Română, 1971.

  • Rachet, Guy, Tragedia greacă. Bucureşti: Editura Univers, 1980.

  • Ubersfeld, Anne, Termenii cheie ai analizei teatrului. Iaşi: Editura Institutului European, 1999.

  • Zamfirescu, Ion, Istoria universală a teatrului. Bucureşti: Editura de Stat pentru Literatură şi Artă, 1968.

Nicoleta Ifrim, Revizionism „est-etic“ şi „autonomism estetic“ în presa literară postdecembristă (II)

Autor: Nicoleta IFRIM
Email: nicodasca@yahoo.com

On ‘East-ethic’ Revisionism and ‘Aesthetic Autonomy’ in Post-December Literary Press (II)

In its turn, the ‘autonomist’ critique takes into consideration the inner value of the writing despite of the ‘moral profile’ of its author. The critical alternative of ‘aesthetics’ turns into a key strategy of decoding the so-called ‘collaborative’ texts of the totalitarian age by focusing on the fictional construct only and on its ways of ‘alluding’ the dominant Great History.

Keywords: revisionist drive, ethical ideology, ‘aesthetic autonomy’, iconic writer, literary canon, ‘collaborationist’ text.

  • Boldea, Iulian. Eugen Simion – critica apolitică [Eugen Simion – the Non-political Critique]. În Convorbiri literare, aprilie, 2002.

  • Chivu, Marius. Mitul lui Eminescu, contemporanul nostru [The Myth of Eminescu, Our Contemporary Writer]. În Dilematica, nr. 9 / februarie, 2007.

  • Crețu, Bogdan. Iluziile și deziluziile criticului [The Illusions and Disillusions of the Critic]. În Viața românească, nr.11 / 2008.

  • Grigor, Andrei. Critica postbelică [The Post-War Critique]. În Caiete critice, nr.6-7, 2007.

  • Grigurcu, Gheorghe. Actualitatea unui manifest [A Contemporary Manifesto]. În România literară, nr.42 / 25.10 -31.10. 2000.

  • Grigurcu, Gheorghe. Ce înseamnă un scriitor incomod [What Does an Uncomfortable Writer Mean]. În Convorbiri literare, aprilie 2002.

  • Grigurcu, Gheorghe. De la vechi la nou și înapoi [From Old to New and Back]. În Viața românească, nr. 8-9, 2007.

  • Ivan, Sorin. Politica educației și marginalizarea valorilor naționale [The Educational Politics and Minimizing the National values]. În Caiete critice, nr. 8-9, 2008.

  • Marcu, Liviu. Imposibila obiectivitate [The Impossible Objectivity]. În Criticii de mâine despre literatura de ieri, România literară, nr.51 / 20.12.2000 – 09.01.2001.

  • Simion, Eugen. Eminescu între hagiografii și delatorii săi [Eminescu between His Adulators and Detractors]. În Caiete critice, nr.1, 2010.

  • Simion, Eugen. În ariergarda avangardei. Convorbiri cu Andrei Grigor [In the Rearguard of Avant-Garde], Curtea Veche Publishing House, București, 2012.

  • Simuț, Ion. Critifricțiuni. Competiția postumă Eugen Barbu – Marin Preda. [Criticfrictions. The Postume Eugen Barbu-Marin Preda Competition]. În Familia, nr. 9 (467) / septembrie 2004.

  • Smeu, Grigore. Este sau nu conceptul autonomia esteticului o „mârțoagă” anacronică? [Is the Concept of Aesthetic Autonomy an Anachronistic Relic or Not?]. În Caiete critice, nr.6-7, 2008.

  • Online Sources

  • http://www.romlit.ro/home_ro

  • http://www.revistafamilia.ro/revistafamilia.html

  • http://www.revistavatra.ro/

  • http://www.viataromaneasca.eu/

  • http://convorbiri-literare.dntis.ro/

  • http://caietecritice.fnsa.ro/wordpress/

Alexandru Matei, De la istorie literară la studii culturale. Implicații epistemologice

Autor: Alexandru MATEI
Email: amatei25@yahoo.com

Lire la dernière histoire de la littérature française proposée par Christie McDonald et Susan Rubin Suleiman, French Global. A New Approach to Literary History, Columbia University Press, 2010 en tant qu’ “histoire de la littérature française » relève de la gageure. Bien que les trois parties qui la composent soient régies par un ordre chronologique, les valeurs qui réunissent les quelque trente études rassemblées, les types des textes choisis pour « illustrer » cette histoire et les approches déployées font de ce livre l’objet d’une remise en question radicale de ce que c’est que « le littéraire », et de ce que c’est que « valeur ». En même temps, il s’agit pour nous de mettre au jour ce qui relève d’une nouvelle idéologie du littéraire et de la valeur, circonscrite par l’espace culturel français tel que revu par les auteurs (pour la plupart non Français) de ce livre. Les débordements paralittéraires de leurs études, la remise en question du français et du non-français (le questionnement identitaire), la nouvelle valorisation éthique rejaillissant sur le « canon » proposé participent, peut-être, d’une mutation : le passage de l’histoire de la littérature dans le domaine des études culturelles.

Keywords : histoire de la littérature française, canon littéraire, valeur,

  • McDonald, Christie, and Suleiman, Susan Rubin, ed. French Global: A New Approach to Literary History. New York: Columbia University Press, 2010

  • Irimia, Mihaela, and Ivana, Dragoş, Literary into Cultural History. Bucuresti: ICR, 2007

  • Touret, Michèle, History of the French Literature / Histoire de la littérature française. Rennes: Presses Universitaires de Rennes, 2008.

Științe vizuale

Dragoş Varga, Experienţe româneşti ale bilingvismului creator

Autor: Dragoş VARGA
Email: dragosvarga@yahoo.com

Romanian Experiences of The Creative Bilingualism

The article aims at presenting a few Romanian experiences of the creative bilingualism, starting from Dumitru Chioaru’s study The Creative Bilingualism. The book, thoroughly organized, presents the bilingual experiences of nine Romanian writers, divided into three sections: Between Self-translation and Creative Bilingualism (Dimitrie Bolintineanu, Alexandru Macedonski, Panait Istrati), Avant-garde Experiences of Creative Bilingualism (Tristan Tzara, Benjamin Fondane, Ilarie Voronca, and Gherasim Luca) and Universal Bilingual Writers (Emil Cioran and Eugen Ionescu). The author does not intend to follow their evolution’s entire pathway, insisting on the moment of the shift from Romanian language to French, attempting to discover the reasons and consequences of their expatriation and also the differences brought in their work by the linguistical shift. An important advantage of the study consists in the excellent argumentative approach, exploiting in an intelligent way the biographical and bibliographical detail, relying also on a vast erudition and on a longeval applied and comparative reading experience.
Keywords: Romanian Literature, Creative Bilingualism, Self-translation, Romanian bilingual writers, expatriation

1. Dumitru Chioaru, Bilingvismul creator, Editura Limes, Cluj, 2013,
p.12.
2. Tzvetan Todorov, Omul dezrădăcinat, Institutul European, Iaşi,
1996.
3. Dumitru Chioaru, op. cit., p. 8.
4. Ibidem, p. 58.
5. Ibidem, p.78.
6. Ibidem, p. 88.
7. Ibidem, p. 94.
8. Ibidem, p. 109.

Dosar

Istorie si studii culturale

Aurelia Cirlea, Autori, tipografi şi cărţi în Sibiu

Autor: Aurelia CIRLEA
Email: aureliacirlea@yahoo.com

Authors, Printers and Books in Sibiu

Sibiu can be considered one of the oldest cradles of the book and Romanian journalism, not only in Transylvania, but across the country.

Here, in 1544, Philip Moldoveanu printed the first book in Romanian – Lutheran Catechism, book that Joachim Craciun, bibliologue, called The Romanian Catechism.

The most popular Transylvanian writers of the studied period are the Saxons historians: Martin Eder Felmer and Joseph Caroli Eder. They published their works in the Sibiu printing houses, thereby contributing at the exploiting the documents about the history of Transylvania.

Among the most famous of the Sibiu printers can be mentioned: the printing house of the Barths, a true dynasty, whose work spans over a period of 130 years, the printing house Samuel Sardi and the one of the Hochmeisters.

Keywords: ASTRA, library, catalogue, books, printing house, printer.

  • Albu, Nicolae. Istoria învăţământului românesc din Transilvania. [The History of the Romanian Education in Transylvania]. Blaj, Tipografia Lumina, 1944.

  • Avram, Mircea. Calendarele sibiene în limba germană (Secolele XVII-XX). [Sibiu Calendars in German (XVII-XX Centuries)]. Sibiu, s. n., 1979.

  • Bianu, Ioan; Hodoş, Nerva. Bibliografia Românească Veche, vol. 2. [The Old Romanian Bibliography, 2nd volume]. Bucureşti, 1905.

  • Crăciun, Ioachim. Catehismul românesc din 1544. [ The Romanian Catechism of 1544]. Sibiu – Cluj, 1945-1946.

  • Dunăreanu, Elena; Avram, Mircea. Presa sibiană în limba germană (1778-1970). [Sibiu Press in German (1778 – 1970)]. Sibiu, s.n., 1971.

  • Dunăreanu, Elena; Popa, Aurelia. Cartea românească sibiană (1544-1918). [Sibiu Romanian Book (1544-1918)].Sibiu, s.n., 1979.

  • Enciclopedia istoriografiei româneşti. [Encyclopaedia of Romanian Historiography]. Bucureşti, Editura Ştiinţifică şi Enciclopedică, 1978.

  • Enciclopedia Română publicată din însărcinarea şi sub auspiciile „Asociaţiunii pentru literatura română şi cultura poporului român” de Corneliu Diaconovich, tomul II. [Romanian Encyclopaedia published under the auspices of “Association for the Romanian Literature and the Culture of the Romanian People”]. Siibiu, Editura şi tiparul lui W. Krafft, 1900.

  • Flocon, Albert. Universul cărţilor. [The Books Universe]. Bucureşti, Editura Ştiinţifică şi Enciclopedică, 1976.

  • Huttmann, Arnold; Binder, Pavel. Contribuţii la bibliografia lui Filip Moldoveanul. [Contributions at Filip Moldoveanu’s Bibliography ]. În„Limbă şi literatură”, XVI, Bucureşti, 1968.

  • Huttmann, A.; Korodi, A.; Nussbächer, G. Ex-librisuri din Transilvania (II). [ Ex libris from Transylvania (II)]. În „Revista Bibliotecilor”, XXII, nr. 1, ianuarie 1969.

  • Jakó, Sigismund. Tipografia de la Sibiu şi locul ei în istoria tiparului românesc din secolul al XVI-lea. [The Typography from Sibiu and its Place in the History of the Romanian Typography from the XVI th Century]. În „Anuarul Institutului de Istorie din Cluj”, VII, 1964.

  • Lupaş, Ioan. Sibiiul ca centru al vieţii româneşti din Ardeal. [ Sibiu as Centre of the Romanian Life in Ardeal]. În „Anuarul Institutului de Istorie Naţională”, vol. V, Cluj, Institutul de Arte Grafice „Ardealul”, 1930.

  • Muntean, Viorel G. Oameni şi slove. File din istoria artelor grafice sibiene (1528-1968). [ People and Letters. Pages from the History of Sibiu Graphics (1528 – 1968)]. Sibiu, s.n., 1974.

  • Nägler, Doina. Catalogul transilvanicelor, vol. I, II (Sec. XVIII). [The Transylvanian Catalogue] Sibiu, s.n., 1982.

  • Nägler, Thomas. Aşezarea saşilor în Transilvania şi aportul lor la dezvoltarea societăţii feudale româneşti, [The Saxon Settlement in Transylvania and their Contribution to the Development of Romanian Feudal Society]. În Studii de istorie a naţionalităţii germane şi a înfrăţirii ei cu naţiunea română, vol. I. Bucureşti, Editura politică, 1976.

  • Popa, Liliana. Oameni şi cărţi în Sibiul de altădată. Tipografi şi tiparniţe, bibliofili şi biblioteci, librari şi librării în mărturii documentare. [People and Books in Old Sibiu. Printers and Printing Presses, Bibliophiles and Libraries, Booksellers and Bookshops in Documentary Evidences]. Sibiu, Editura Schiller, 2010.

  • Prodan, David. Supplex Libellus Valachorum, Ediţie nouă, refăcută. Bucureşti, Editura Ştiinţifică, 1967.

  • Révai Nagy Lexicona, II kötet, Budapesta, 1911.

  • Sibiu – oraşul cu farmecul său specific medieval. [Sibiu – The City with its Specific Medieval Charm. Sibiu, [1940].

  • Veress, Andrei. Bibliografia Română-Ungară. Românii în literatura ungară şi ungurii în literatura română. Vol. I, II. [The Hungarian – Romanian Bibliography. The Romanian People in the Hungarian Literature and the Hungarian People in the Romanian Literature]. Bucureşti, Cartea Românească, 1931.

  • Zaharia, Adriana. Tiparul tarnsilvănean cu litere latine, 1525-1655. [The Transylvanian Typography with Latin Letters, 1525 – 1655]. În „Transilvania”, Sibiu, nr. 5-6, 2012.

Ovidiu Valentin Boc, Un manuscris de la istoricul Ştefan Meteş

Autor: Ovidiu – Valentin BOC
Email: ovidiuboc26@gmail.com

A manuscrispt from the historian Ştefan Meteş

The manuscris, preserved by the County Service of the National Archives of Cluj, in the Ştefan Meteş archive Fund, in the fille nr. 80, represents a written memorial of David Prodan addressed to his superior, Ştefan Meteş, the head of the Regional Manager’s office of the State Archives from Cluj, wich reflects the sad situation in wich the institution and its employees are. The changes at the governmental level and the promotion in the under-secretary of State function of Ştefan Meteş, in the government of Iorga determined the forwardind of the document. The relation between David Prodan and Ştefan Meteş was at that time, still friendly, normal, as it resulted from the written ideas of David Prodan in his memorandum where he claimed some natural rights, but quite impossible to be carried out in the economical situation the country was. The claims of the memorial were: presenting the real situation in the working place, the increase of salary and the obtaining of a scholarship in Wienna, the getting of a new building for the archives and changing of the office he worked in from a simple place, where the documents were heaped up in boxes, in one in wich the scientific research could be developed, at least as in other similar institutions from the country

Keywords: manuscrispt, memorial, Ştefan Meteş, David Prodan, archive;

  • România, Arhivele Naţionale Serviciul Judeţean Cluj (ANSJ Cluj), Fond Ştefan Meteş, nr. inventar 1435, dosar nr. 80, 6 file şi dosar nr. 4, 77 file / Romania, National Archives, Cluj County Service, Ştefan Meteş fund, inventory number 1435, file number 80, 6 leafs and file number 4, 77 leafs.

  • Drăgan, Ioan. David Prodan şi Arhivele Statului din Cluj, în David Prodan – Puterea modelului, coord. Nicolae Bocşan, N. Edroiu. Cluj-Napoca, Centrul de Studii Transilvane, Fundaţia Culturală Română, 1995.

  • Prodan, David. Memorii / Memories, text îngrijit şi adnotat cu o postfaţă de Aurel Răduţiu. Bucureşti, Editura Enciclopedică, 1993.

  • Matei, Alexandru. Arhivele Statului Cluj la 50 de ani /National Archives of Cluj at 50 years, în Revista Arhivelor. In Archives Review, anul XLVII, vol. XXXII, nr. 2, [Bucureşti], 1970, p. 649-651.

Marina Avram, „Miscelaneul“ 4451 din anul 1809 din custodia Mânăstirii Bistriţa olteană

Autor: Marina AVRAM
Email: marinamh.bistro@yahoo.com

“Miscelaneul “ 4451 from the Custody of Bistrita Monastery from Oltenia in the years 1809

The material analized in this study is a Codex whrote in chirilic alphabet between the years 1782-1841 and it puts together the names of the makers and good willers of the church called „The good tale”, in the patronage of Holly Mary Mother of God from the city of Râmnicu Vâlcea. In our days this old document is in the custody of the holly Monastery Bistriţa from Oltenia, a region in the south of the Charpathian Mountains. It is archived at the number 4451. From it̓ʼs pages rezults that this book was a source of putting up to date of gifts mentioned in the name-list number 13 wich is now in the custody of teritorial service of Vâlcea for national ancient documents.

Keywords: book, calligraphy, contribution, manuscript, parish.

  • Andreescu, Ana, Arta cărţii. Cartea românească veche 1508-1700 / The book Art. The old Romanian Book 1508-1700, Bucureşti, Editura Capitel, 2006.

  • Bălan, Constantin, Inscripţii medievale şi din epoca modernă a României, Județul istoric Vâlcea. Secolul XIV-1848 / Inscriptions from the Middle Ages and from the modern age of Romania. 14th century – 1848, Bucureşti, Editura Academiei Române, 2005.

  • Coteanu, Ion; Seche, Luiza; Seche, Mircea, Dicţionarul Explicativ al limbii române / The explanatory dictionary of Romanian language, Bucureşti, Editura Univers Enciclopedic, 1998.

  • Solcanu, Ion, Artă și societate românească sec XIV- XVIII / Romanian society map, Bucureşti, Editura Enciclopedică, 2002.

  • Ștrempel, Gabriel, Catalogul manuscriselor românești / The Romanian manuscript Catalogue, vol. I, București, Editura Științifică și Enciclopedică, 1978.

  • Ștrempel, Gabriel, Catalogul manuscriselor românești / The Romanian manuscript Catalogue, vol. II, București, Editura Științifică și Enciclopedică, 1983.

  • Ștrempel, Gabriel, Catalogul manuscriselor românești / The Romanian manuscript Catalogue, vol. IV, București, Editura Științifică, 1992.

  • Quenot, Michel, Învierea şi icoana / The Risen and the Icon, Bucureşti, Editura Christiana, 1999.

Anca-Dorina Petresc-Cohîltir, Perspective artistice asupra bisericii Mânăstirii Prislop în lumina unor izvoare istorice (1841-1913)

Autor: Anca-Dorina PETRESC-COHÎLTIR
Email: anca_petresc@yahoo.com

Artistic perspectives on Prislop monastery church in the light of historical sources (1841-1913)

The Prislop monastery-Silvaşul de Sus (county Hunedoara), founded en founded again, between XIV-XVIII centuries, represented written art and church culture center, in the south-west of Transylvania. This monument sparked the interest of many science world representatives. There can be listed here contributions of authors, servan of church, like: Lugosi Fodor Andras, Ştefan Moldovan, Ioan Boroş, Augustin Bunea, Iacob Radu.

Through the inventory of some artistic perspectives on Prislop monastery church, in the light of historical sources, captured during 1841-1913, from Romanticism to Positivism, we intend to exploit only a fraction of our work identifying documentation and bibliographical sources for the future doctoral thesis entitled “Cultural dynamic and artistic horizon in Ţara Haţegului: Prislop Monastery (centuries XV-XIX)”.

Keywords: Prislop monastery, church, Transylvania, bibliographical sources

  • Bunea, Augustin. Prislop, articol în Enciclopedia Română, tom III. Sibiu, 1904.

  • Diecesa Lugojului. Şematism istoric (Schemanismus historical), publicat sub auspiciile P.S.S.DD.Dr. Demetriu Radu Episcop gr.-cat. de Lugoj, pentru Jubileul de la Sânta Unire de 200 de ani. Lugoj, 1903.

  • Lugoşi Fodor, András. [Date arheologice din Transilvania] (Archeological data from Transylvania), Biblioteca Central Universitară „Lucian Blaga”. Cluj-Napoca, fondul Colecţii Speciale – Manuscrise, mss. nr. 754.

  • Meteş, Ştefan. Mănăstirile româneşti din Transilvania şi Ungaria (Romanian monasteries in Transylvania and Hungary). Sibiu, 1936.

  • Mircea, Ion, Radu. Cel mai vechi manuscris miniat din Ţara Românească: Tetraevanghelul popii Nicodim (1404-1405) (The oldest manuscript painted in the Ţara Românească: Tetravanghel of the priest Nicodim (1404-1405)) , în „Romanoslavica”, an 13, 1966, p. 203-221.

  • Moldovan, Ştefan. Adumbrarea S. Monastire Prislopu clădită în teritoriulu Silvaşului de Susu, cerc Haţiegu, districtulu Alba-Iulia, pe la anulu 1560-1580, de Doamna Saphira fata Domnului Moisi, Principelui Romaniei (The sketch of the Holy Monastery of Prislop built in the territory of Silvaşul de Sus, Haţeg county, district Alba-Iulia, in the year 1560-1580, by Miss Saphira daughter of Mister Moisi, Prince of Romania), în „Foaia pentru minte, inimă şi literatură”. Braşov, 1853, nr. 19, pp. 139-140; nr. 20, pp. 146-148.

  • Moldovan, Ştefan. Vizitaţiuni canonice în Ţara Haţegului (1852-1885) (Canonical visits in Ţara Haţegului (1852-1885)), Camelia Elena Vulea, Luminiţa Wallner Bărbulescu – editori. Cluj-Napoca, Presa Universitară Clujeană, 2003.

  • Popa, Radu. La începuturile evului mediu românesc. Ţara Haţegului (In the early Romanian Middle Ages. Ţara Haţegului). Bucureşti, Editura Ştiinţifică şi enciclopedică, 1988.

  • Radu, Iacob. Istoria Vicariatului greco-catolic al Haţegului (The history of Greek-Catholic Vicariate of Haţeg). Lugoj, 1913.

  • Radu, Iacob. Pe urmele lui Nicodim, note de călătorie. De la Haţeg la Prislop – Prin Silvaşuri – Recepţiune în lunca mănăstirei – Mormântul Zamfirei (On Nicodim’s footsteps, travel notes. From Haţeg to Prislop by Silvaşuri – In the meadow monastery- Zamfira’s tomb), în „Răvaşul. Revistă culturală ilustrată”. Cluj, an VIII, 1910, nr. 9-10, p. 311-312.

  • Sincai, Gheorghe. Opere, II, Hronica Românilor (Works, II, Romanian Chronicle), tom II, ediţie îngrijită de Florea Fugariu, note de Manole Neagoe. Bucureşti, Editura pentru literatură, 1969.

  • Vătăşianu, Virgil. Vechile biserici de piatră româneşti din judeţul Hunedoara (The old stone romanian churches in Hunedoara County). Cluj, Tipografia „Cartea Românească” S.A., 1930.

Radu Părean, Monumentele istorice sibiene, un permanent obstacol în calea „modernizării“ urbei

Autor: Radu PĂREAN

Historical monuments from Sibiu County, a continuing hurdle in front of city “modernisation”

Sibiu town is one of the most valuable and well-preserved medieval town from central and eastern European area, being mentioned in most of the profile charts realized at the continental level and also in the recommendations of specialists in the field. However, in the history of the city’s historic monuments have been difficult periods, local authorities (the Communist and the posdecembriste ones) were not interested in protecting and conservation of this inestimable value heritage, destroying buildings or entire protected areas, in the name of a misguided modernization.

Unfortunately, with all opposition of locals specialists in the field, gathered within the County Office for National Cultural Heritage Sibiu and Zonal Commission of Historical Monuments, Assemblies and Sites from Eastern Transylvania, important parts of the architectural reserve were entirely or partially destroyed.

In this article we tackle with many tragic episodes in the history of the monuments of Sibiu, the demolition of the entire area comprising Gării Square – Teclu Street (partially) – Hurmuzachi and Constituţiei streets, started after 1985, under the fake supposition of regulating the traffic in the area, partial demolition of the earth fortification from Corneliu Coposu Boulevard, and the demolition project of building located in Pulberăriei, Turnului, Valea Mare streets.

The base on which I have developed my article was the study of archive, many unpublished documents that are thrown away behind the lockers and offices from the County Office for Culture and National Heritage Sibiu.

Keywords: Consolidation, building, cultural, demolition, historical monuments, office, heritage

national cultural heritage, protection, urban areas

Istorie

Științele educației

Filozofie și studii politice

Stiintele comunicarii

Etnografie si folclor

Fizica speculativa

Recenzii

Economie

Artele spectacolului

Eveniment