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Rodica Ilie, Avangarda şi dinamica periferiilor culturale

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Magazine: 9 / 2011
Date: 2011
Rodica ILIE
Universitatea „Transilvania“ din Braşov, Facultatea de Litere „Transylvania” University of Braşov, Faculty of Letters
rodica_m_ilie@yahoo.fr

Abstract

The avant-garde and the dynamics of cultural peripheria

The study aims at a pluralistic analysis of the cultural field produced by the European avant-gardes through the dissemination of the Futuristic metaparadigm. Beyond the aesthetic impact, programmatically assumed thoroughly or counter-ideologically, the Italian Futurism radially generated both in Europe as well as in the South-American cultural space different manifestations of the radical spirit, original and autonomous schools and poetics. The avant-garde’s peripheral areas, such as the Hispano-American Ultraism, F. Pessoa’s Intersectionism, the Sebastianist Futurism of the same Lusitanian poet, Integralism, Constructivism, Russian Cubo-Futurism, Creationism, and Antropophagism are models not to be ignored in the innovative literary production field of the avant-gardes. They prove the decentering of the paradigm, the annulment of localism, the critical and creative independence and the participation of the small cultures to the dialogue of the European and world art of the 20th century

Keywords: the poetics of avant-garde,Futurism, the avant-garde’s peripheral areas, Ultraism, Intersectionism, Integralism, Constructivism, Cubo-Futurism, Creationism, Antropophagim, hybridization

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Note bibliografice

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