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Mircea A. Diaconu, I.L. Caragiale. Materialitatea lumii şi fascinaţia textului

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Magazine: 5 / 2011
Date: 2011
Mircea A. DIACONU
Universitatea „Ştefan cel Mare“ Suceava, Facultatea de Litere “Ştefan cel Mare” University of Suceava, Faculty of Letters
mircea_a_diaconu@hotmail.com

Abstract

I.L. Caragiale. Substantiality of the world and fascination of the text

Part of a wider research project of interpreting Caragiale’s works, the present paper aims at analysing some of the writer’s short texts, considered relevant for the world’s ontological crisis theme. The absence of any transcendental meaning dwells in Caragiale’s meticulous wording. The world as a theatre décor that can only come into being as text, the world as harmony within chaos, these are the main themes in Caragiale’s works.

Keywords: I.L. Caragiale, Theatre décor, Textualism, empty transcendence

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Note bibliografice

Bibliografie

  • I.L.CARAGIALE, 2000: Opere I, Proza literară, Ediţie îngrijită şi cronologie de Stancu Ilin, Nicolae Bârna, Constantin Hârlav, Prefaţă de Eugen Simion, Univers enciclopedic, Bucureşti.
  • CĂLINESCU, Alexandru, 2000: Caragiale sau vîrsta modernă a literaturii, Editura Institutul European, Iaşi.
  • PAPADIMA, Liviu, 1999: Caragiale, fireşte, Editura Institutul Cultural Român, Bucureşti.
  • PETREU, Marta, 2003: Filosofia lui Caragiale, Editura Albatros, Bucureşti.
  • TOMUŞ, Mircea, 2004: Caragiale după Caragiale, Editura Media Concept, Sibiu.
  • VARTIC, Ion, 2002: Clanul Caragiale, Editura Biblioteca Apostrof, Cluj Napoca.