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Daniela Popa, Confesivitate şi mimesis

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Magazine: 7 / 2012
Date: 2012
Daniela POPA
Universitatea „Lucian Blaga“ din Sibiu, Facultatea de Litere şi Arte ” Lucian Blaga” University of Sibiu, Faculty of Letters and Arts
popa2dana@yahoo.com

Abstract

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Note bibliografice

  1. [1] Philip Roth apud Georges J. Searles (dir.), Conversations with Philip Roth. Jackson: University Press of Mississipi, 1992, p. 129
  2. [1] Arnaud Schmitt, Je réel/ je fictif. Au-déla d’une confusion postmoderne. Université de Toulouse – Le Mirail: Presses Universitaires de Mirail, 2010, p. 65, 66
  3. [1] Vincent Colonna, Autofiction et autres mythomanies littéraires. Paris: Tristram, 2004, p. 45, 46
  4. [1] Jean-Paul Sartre, Fiinţa şi neantul. Eseu de ontologie fenomenologică. Piteşti : Paralela 45, 2004, p. 190
  5. [1] Paul Ricoeur, Soi-même comme un autre. Paris : Seuil, 1990, p. 176
  6. [1] Ibidem
  7. [1] Paul Ricoeur, Temps et Récit, Vol. I. Paris : Seuil, 1983, p. 77
  8. [1] Jean-Marie Schaeffer, Pourquoi la fiction?. Paris : Seuil, 1999, p. 102, 103
  9. [1] Diderot apud. Alexandre Gefen (coord.) în La mimèsis. Paris : GF Flammmarion, 2003, p. 188
  10. [1] La mimèsis, (coord.) Alexandre Gefen, op. cit., p. 186
  11. [1] Gérard Genette, Figures II. Paris: Seuil, Points, 1969, p. 55, 56
  12. [1] Philippe Gasparini, Est-il Je ? Roman autobiographique et autofiction. Paris : Seuil, 2004, p. 235, 278
  13. [1] Roland Barthes, Le Bruissement de la langue. Paris : Seuil, 1984, p. 173, 174
  14. [1] Paul de Man, The Resistence to Theory. Minneapolis: University of Minnesota Press, 1986, p. 10, 11
  15. [1] Paul Valéry, Variété (1924-1945) în Œuvres, vol. I. Paris : Gallimard, « Bibliothèque de la Pléiade », 1980, p. 570
  16. [1] Jean-Louis Joubert, Genres et formes de la poésie. Paris : Armand Colin, 2003, p. 23
  17. [1] « adevărat »…Rorty susţine că acest cuvânt nu are un sens descriptiv ci doar un sens expresiv. (Pascal Engel, Richard Rorty, La ce bun adevărul?. Bucureşti: Editura Art, 2007, p. 24)
  18. [1] The sense of a statement is determined by knowing in what circumstances it is true and in what false. (Michael Dummet, Truth and Other Enigmas. Cambridge: Harvard University Press, 1978, p. 8)
  19. [1] Pascal Engel, Richard Rorty, op. cit., p. 66
  20. [1] Jürgen Habermas, Etica discursului şi problema adevărului. Bucureşti : Editura Art, 2008, p. 66
  21. [1] Truth, so construed, admits of degrees. (John R. Searle, The Construction of Social Reality. Harmondsworth: Penguin, 1996, p. 200)
  22. [1] Thought does not naturally relate to truth at all, but is rather a creative act. (Gilles Deleuze, Nietzsche and Philosophy. London: Althone Press, 1983, xiv); Thought is creation, not will to truth. (Gilles Deleuze, Félix Guattari, What is Philosophy?. New York: Columbia University Press, 1994, p. 54)
  23. [1] Richard Rorty, Adevăr şi progres. Bucureşti: Editura Univers, 2003, p. 222
  24. [1] J. Habermas apud. Richard Rorty, op. cit, p. 222
  25. [1] the referential scruple between fiction and reality is mastered…in film and “reality” in the same consensual way. (Joseph Margolis, What, After All, is a Work of Art?. University Park (PA): The Pennsylvania State University Park, 1999, p. 120)
  26. [1] Edmund J. Smyth, Postmodernism and Contemporary Fiction. London: Bastford, 1991, p. 10
  27. [1] Käte Hamburger, The Logic of Literature. Bloomington and Indianapolis : Indiana University Press, (1973) 1993, p. 294
  28. [1] Georges Gusdorf, Les Écritures du moi. Paris: Odile Jacob, 1990, p. 373
  29. [1] Henry Meschonnic, La rime et la vie. Paris: Gallimard, 2006, p. 368-370
  30. [1] …une réflexion sur le sujet est partie intégrante de la théorie du language… (Ibidem, p. 368)
  31. [1] Maurice Couturier, La Figure de l’auteur. Paris: Seuil, 1995, p. 213
  32. [1] Serge Doubrovsky, Autobiographiques. De Corneille à Sartre. Paris: PUF, 1988, p. 77
  33. [1] Oscar Wilde, Decăderea minciunii. Iaşi: Polirom, 2000, p. 146
  34. [1] Ted Kooser, Lying for the Sake of Making Poems în After Confession. Poetry as Autobiography, editat de Kate Sontag & David Graham. Saint Paul, Minnesota: Graywolf Press, 2001, p. 158-161
  35. [1] Stephen Dunn, Degrees of Fidelity în After Confession, op. cit., p. 177, 178
  36. [1] Andrew Hudgins, The Glass Anvil: “The Lies of an Autobiographer” în After Confession, op. cit., p. 182-196
  37. [1] Dorrit Cohn, The Distinction of Fiction. Baltimore: The Johns Hopkins Universitz Press, 1999, p. 31
  38. [1] Käte Hamburger, op. cit., p. 337
  39. [1] Ibidem, p. 61.
  40. [1] Arnaud Schmitt, op. cit., p. 29
  41. [1] Dorrit Cohn apud Arnaud Schmitt, op. cit., p. 43

Bibliografie

  • *** After Confession. Poetry as Autobiography, editat de Kate Sontag & David Graham. Saint Paul, Minnesota: Graywolf Press, 2001.
  • *** La mimèsis, Alexandre Gefen (coord.), Paris : GF Flammmarion, 2003.
  • Barthes, Roland, Le Bruissement de la langue. Paris : Seuil, 1984.
  • Colonna, Vincent, Autofiction et autres mythomanies littéraires. Paris: Tristram, 2004.
  • Couturier, Maurice, La Figure de l’auteur. Paris: Seuil, 1995.
  • Deleuze, Gilles; Guattari, Félix, What is Philosophy?. New York: Columbia University Press, 1994.
  • De Man, Paul, The Resistence to Theory. Minneapolis: University of Minnesota Press, 1986.
  • Doubrovsky, Serge, Autobiographiques. De Corneille à Sartre. Paris: PUF, 1988.
  • Dummet, Michael, Truth and Other Enigmas. Cambridge: Harvard University Press, 1978.
  • Engel, Pascal; Rorty, Richard, La ce bun adevărul?. Bucureşti: Editura Art, 2007.
  • Gasparini, Philippe, Est-il Je ? Roman autobiographique et autofiction. Paris : Seuil, 2004.
  • Genette, Gérard, Figures II. Paris: Seuil, Points, 1969.
  • Gusdorf, Georges, Les Écritures du moi. Paris: Odile Jacob, 1990.
  • Habermas, Jürgen, Etica discursului şi problema adevărului. Bucureşti : Editura Art, 2008.
  • Hamburger, Käte, The Logic of Literature. Bloomington and Indianapolis : Indiana University Press, (1973) 1993.
  • Joubert, Jean-Louis, Genres et formes de la poésie. Paris : Armand Colin, 2003.
  • Margolis, Joseph, What, After All, is a Work of Art?. University Park (PA): The Pennsylvania State University Park, 1999.
  • Meschonnic, Henry, La rime et la vie. Paris: Gallimard, 2006.
  • Ricoeur, Paul, Soi-même comme un autre. Paris : Seuil, 1990.
  • Ricoeur, Paul, Temps et Récit, Vol. I. Paris : Seuil, 1983.
  • Rorty, Richard, Adevăr şi progres. Bucureşti: Editura Univers, 2003.
  • Sartre, Jean-Paul, Fiinţa şi neantul. Eseu de ontologie fenomenologică. Piteşti : Paralela 45, 2004.
  • Schaeffer, Jean-Marie, Pourquoi la fiction?. Paris : Seuil, 1999.
  • Schmitt, Arnaud, Je réel / je fictif. Au-déla d’une confusion postmoderne. Université de Toulouse – Le Mirail: Presses Universitaires de Mirail, 2010.
  • Searle, John R., The Construction of Social Reality. Harmondsworth: Penguin, 1996.
  • Searles, Georges J. (dir.), Conversations with Philip Roth. Jackson: University Press of Mississipi, 1992.
  • Smyth, Edmund J., Postmodernism and Contemporary Fiction. London: Bastford, 1991.
  • Valéry, Paul, Œuvres, Vol. I. Paris : Gallimard, « Bibliothèque de la Pléiade », 1980.
  • Wilde, Oscar, Decăderea minciunii/The Decay of Lying. Iaşi: Polirom, 2000.