Conținut indisponibil.

• Hocke, Gustav René: Europäische Tagebücher aus vier Jahrhunderten. Motive und Anthologie / European Diary of Four Centuries. Motifs and Anthology. Frankfurt am Main: Fischer Verlag, 1991.
• Wuthenow, Ralph-Rainer: Europäische Tagebücher. Eigenart-Formen-Entwicklung / European Diaries. Development of Own Form. Darmstadt: Wissenschaftliche Buchgesellschaft, 1990.

Conținut indisponibil.

Literatura primară (Antologii și volume)

• Cioclea, Eugen, Alte dimensiuni / Other dimensions, Editura Hyperion,/ Hyperion Publishing House, Chișinău, 1991.
• Cioclea, Eugen, Antologic, Editura Cartier, / Anthological, Cartier Publishing House, Chișinău, 2014.
• Cioclea, Eugen, Dați totul la o parte ca să văd, Editura Cartier, / Put everything to one side so that I can see, Cartier Publishing House, Chișinău, 2001.
• Cioclea, Eugen, Numitorul comun, Editura Literatura Artistică, / The common denominator, Artistic literature Publishing House, Chișinău, 1988.
• Leahu, Nicolae, Poezie (Colecție de antologii,Literatura din Basarabia în secolul XX), Editura ARC, / Poetry (Collection of Anthologies, Literature from Bessarabia in the 20th Century), ARC, Chișinău, 2004.
• Lungu, Eugen (coord.), Portret de grup. O altă imagine a poeziei basarabene. Antologie a poeziei generației optzeci. Selecție (în colaborare) și studiu introductive, Editura Arc, Chișinău, 1995; reed. Portret de grup. După 20 de ani. Antologie. Selecție și studiu introductive, Editura Cartier, / Group portrait. Another image of Basarabian poetry. Anthology of poetry of the eighteenth generation. Selection (collaborative) and introductory stud, Arc Publishing House, Chișinău, 1995; reed. Group portrait. After 20 years. Anthology. Selection and introductory study, Cartier Publishing House Chișinău, 2015.

Referințe critice generale (selectiv):

• Călinescu, Matei Cinci fețe ale modernității, (1977), Editura Univers, București, 1985, (trad.), Ediția I; Ediția II revăzută și adăugită, Editura Polirom, / Five faces of modernity, (1977), Universe Publishing House, Bucharest, 1985, (trad.), Edition I; Second Edition Revised and Added, Polirom Publishing House, Iași, 2005.
• Cărtărescu, Mircea, Postmodernismul românesc, Editura Humanitas, / Romanian Postmodernism, Humanitas Publishing House, București, 1999.
• Chiper, Grigore, Poezia optzecistă basarabeană, Iași, 2013, Editura Tipo Moldova / The Bessarabian Poetry of the Generation 80, Iasi, 2013, Tipo Moldova Publishing House.
• Cimpoi, Mihai, O istorie deschisă a literaturii române din Basarabia, Editura Arc, / An Open History of Romanian Literature in Bessarabia, Arc Publishing House 1996.
• Diaconu, Mircea A., Biblioteca de poezie postbelică. Experiențe & existențe poetice (Studii, eseuri, cronici pasagere) , Editura Universității Suceava, / The post-war poetry library. Experiences & Poetic Existences (Studies, essays, passages), University of Suceava Publishing House, 2016.
• Iovănel, Mihai, „Poezia lui Eugen Cioclea”, în Revista „Cultura”, nr. 490/ 23 octombrie, / „Poetry by Eugen Cioclea”, in the „Cultura” Magazine, no. 490/ 23 October, 2014.
• Leahu, Nicolae, Poezia generației ‚80, Editura Cartier / Poetry of the 1980s, Cartier Publishing House, Chișinău, 2015.
• Manolache, Gheorghe, Regula lui doi (registre duale în developarea postmodernismului românesc), Editura Universității „Lucian Blaga” / The second rule (dual registers in the development of Romanian postmodernism), Publishing House University „Lucian Blaga”, Sibiu, 2004.
• Manolescu, Nicolae, Literatura română postbelică – Lista lui Manoescu, I Poezia, Editura Aula / Romanian post-war literature – List of Manoescu, I Poetry, Aula Publishing House, Brașov, (f.a.).
• Mușina, Al. , Poezia de după poezie-(ultimul deceniu), Editura Cartier / Poetry after poetry – (last decade), Cartier Publishing House, 1999.
• Mușina, Al. , Poezia: teze, ipoteze, exploarări, Editura Aula / Poetry: theses, hypotheses, exploits, Aula, Brașov, 2008.
• Parpală Afană, Emilia, Postmodernismul poetic românesc, Editura Universitaria / Romanian poetic postmodernism, Universitaria Publishing House, Craiova, 2011.
• Răileanu, Vitalie, Eugen Cioclea în dioptria criticii și studiilor literare, Editura Biblioteca Municipală „B.P.Hasdeu / Eugen Cioclea in the dioptry of criticism and literary studies, The Municipal Library „B.P.Hașdeu” Publishing House, Chișinău, 2015.
• Simion, Eugen, Scriitori români de azi, IV, Editura Cartea Românească / Romanian writers of today, IV, Cartea Românească Publishing House, București, 1989.
• Simuț, Ion, Simptomele actualității literare, Biblioteca Revista Familia / Symptoms of literary actuality, „Familia” Magazine Library, Oradea, 2007.
• Țeposu, Radu G., Istoria tragică & grotească a întunecatului deceniu literar nouă (1993), Editura Eminescu, București, Ediția a II-a, Editura Dacia, Cluj-Napoca, 2002, Ediția a III-a, Editura Cartea Românească / Tragic & Grotesque History of the Dark New Literary Decade (1993), Eminescu Publishing House, Bucharest, 2nd Edition, Dacia Publishing House, Cluj-Napoca, 2002, 3rd Edition, Cartea Românească Publishing House, 2006.

Conținut indisponibil.

• Eugen Barbu, Prefață / Preface la George Bălăiță,. Călătoria / The Voyage, Editura pentru Literatură, București, 1964
• Jean Chevalier, Alain Gheerbrant (coord.), Dicționar de simboluri / Dictionary of Symbols, Polirom, Iași, 2009
• G. Dimisianu, Prozatori de azi / Prose Writers of Today,
  Cartea Românească, 1970
• Ivan Evseev, Dicţionar de simboluri şi arhetipuri culturale / Dictionary of Symbols and Cultural Archaetypes, Ed. Amarcord, Timișoara, 1994

The Aesthetics of Absence in Iustin Panța’s Poetry (II)

This paper argues that absence can be found in Iustin Panța’s poetry at different levels. One of them would be the language level, the simple objects forming a universe in which their inherent meaning is absent. Another one is the one in which the essence is replaced by a false value in an era in which the appearances matter more. The self is continuously trying to reach the past which, besides imagination, is the only form of having contact with the person he loves. Because of this, the present and the past mingle and the self cannot make the difference between them anymore, the absence being identified also to a psychologic level this way.

Keywords: contemporary Romanian poetry, Iustin Panța, absence, false value, language.

Opere primare:

• Obiecte mișcate / Moved Objects, Antologie I, Editura Vinea, București, 2003;
• Obiecte mișcate / Moved Objects, Antologie II, Editura Vinea, București, 2003;
• Intențiile tăcerii / The Silence Intentions, Editura Charmides, Bistrița, 2012;

Bibliografie critică:

• Baudrillard, Jean, Celălalt prin sine însuși / The Other through Himself, Editura Casa cărții de știință, ClujNapoca, 1997;
• Baudrillard, Jean, Simulacre și simulare / Simulacra and Simulation, Editura Idea Design & Print, Cluj, 2008;
• Baudrillard, Jean, Societatea de consum: Mituri și structuri / The Consumer Society: Myths & Structures, Editura Comunicare.ro, București, 2008;
• Chioaru, Dumitru, Noi developări în perspectivă / New Developments in Perspective, Editura LIMES, ClujNapoca, 2010;
• Deleuze, Gilles, Diferență și repetiție / Difference and Repetition, Editura Babel, București, 1995;
• Derrida, Jacques, Scriitura și diferența / Writing and Difference, Editura Univers, București, 1998;
• Eagleton, Terry, Teoria literară. O introducere / Literary Theory. An Introduction, Editura Polirom, Iași, 2008;
• Eco, Umberto, La struttura assente: La ricerca semiotica e il metodo strutturale / The Absent Structure: The Semiotics Research and the Structural Method, Editura Bompiani, Milano, 2015;
• Eliot, T. S., Eseuri alese: critica literară / Selected Essays: Literary Criticism, Editura Humanitas fiction, București, 2013;
• Jameson, Fredric, Postmodernism, or, The Cultural Logic of Late Capitalism, Editura Duke University Press, Durham NC., 1991;
• Manolescu, Nicolae, Despre poezie / On Poetry, Editura Aula, Brașov, 2002;
• Mușina, Alexandru, Paradigma poeziei moderne / The Paradigm of Modern Poetry, Editura Aula, Brașov, 2004;
• Mușina, Alexandru, Poezia: teze, ipoteze, explorări / Poetry: theses, hypotheses, investigations, Editura Aula, Brașov, 2008;
• Mușina, Alexandru, Unde se află poezia? / Where is the poetry?, Editura Arhipelag, Târgu Mureș, 1996;
• Vattimo, Gianni, Dincolo de subiect. Nietzsche, Heidegger și hermeneutica / Beyond the Subject. Nietzsche, Heidegger and Hermeneutics, Editura Pontica, Constanța, 1994;
• Vattimo, Gianni, Rovatti, Pier Aldo, Gândirea slabă / Weak Thought, Editura Pontica, Constanța, 1998;
• Vattimo, Giani, Sfârșitul modernității / The End of Modernity, Editura Pontica, Constanța, 1993.

Surse web:

1. https://issuu.com/carmenrabell/docs/zizekcourtly-love, accesat [13.02.2017];
2. http://zizek.uk/the-superego-and-the-act/, accesat [21.01.2017];
3. https://www.youtube.com/watch?v =MfV1O20OJi4, accesat [10.01.2017].

Conținut indisponibil.

Conținut indisponibil.

Conținut indisponibil.

• Anghel, Alexandru, Interviu cu Florin Mihăescu / Interview with Florin Mihăescu în „Rost cultural, politic, religios”, anul III, nr. 23, ianuarie 2005
• Cristian, Roxana, Agartha Fălticeneană / The Fălticeni Agartha, Editura Rosmarin, București, 2012
• Lovinescu, Vasile, Mitul sfâșiat / The Dismembered Myth, Editura Institutul European, Iași, 1993
• Lovinescu, Vasile, Scrisori crepusculare / Vesperal Letters, Editura Rosmarin, București, 1995
• Lovinescu, Vasile, Exerciții de meditație / Meditation Exercises, Editura Rosmarin, București, 2000

Four or One?

This paper proposes a new analysis of Mateiu Caragiale’s novel Craii de Curtea-Veche, belonging to the Romanian literary canon, which to demonstrate that the well-known characters in the novel lack substantiality in the traditional form of the realist novel and are thus mere epitomes of vices.

Keywords: modern Romanian literature, Mateiu Caragiale, aestethicism, characters consistency, identitary categories

Primary Literature

• Mateiu Caragiale, Craii de Curtea-Veche, Ed. Eminescu, București, 1970.

Literary Criticism

• Walter Benjamin, Illuminations, trand. de Harry Zohn, Ed. Schocken Books, New York, 1969.
• Al. Călinescu, Anton Holban: Complexul lucidității / Anton Holban: The Complex of Lucidity, Ed. Albatros, 1972.
• G. Călinescu, Istoria literaturii române de la origini până în prezent / The History of Romanian Literature from Its Origins to the Present Days, Ed. Semne, București, 2003.
• Matei Călinescu, Mateiu I. Caragiale: recitiri / Mateiu I. Caragiale: Rereadings, Ed. Biblioteca Apostrof, 2007.
• Al. George, Semne și repere / Signs and Marks, Ed. Cartea Românească, București, 1971.
• Paul Cernat, Modernismul retro în romanul românesc interbelic / Retro Modernism in Interwar Romanian Novel, Ed. Art, 2009.
• Karl Leonhard, Personalități accentuate în viață și literatură / Acute Personalities in Life and Literature, trad. de Dr. Virgil Sorin și Mariana Zoltan, Ed. Enciclopedică Română, București, 1972.
• Nicolae Manolescu, Arca lui Noe / Noah’s Ark, Ed. Gramar, București, 2000.
• Andrei Terian, G. Călinescu: A cincea esență / G. Călinescu: The Fifth Essence, Ed. Cartea Românească, București, 2009.

Conținut indisponibil.

• Filosofia greacă pînă la Platon / Greek Philosophy until Plato, vol. I, Bucureşti, Editura Ştiinţifică şi Enciclopedică, 1979
• Orphée et l’Orphisme dans l’Antiquité gréco-latine,Ed. Variorum, 1995
• Maurice Blanchot, Spaţiul literar / Literary Space, Bucureşti, Ed. Univers, 1980
• André Boulanger, Orfeu. Legături între orfism şi creştinism / Orpheus. Connections between Oprhism and Christianity, Bucureşti, Ed. Meta, 1992
• Pierre Brunel, Mythocritique. Théorie et parcours, Paris, Presses Universitaires de France, 1992
• Dumitru Chioaru, Poetica temporalităţii. Eseu asupra poeziei româneşti / Poetics of Time. Essay on Romanian Poetry, Cluj-Napoca, Ed. Dacia, 2000
• Diodor din Sicilia, Biblioteca istorică / Historical Library, în Ion Acsan, Orfeu şi Euridice în literatura universală / Orpheus and Euridike in Universal Literature, Bucureşti, Ed. Albatros, 1981
• E.R. Dodds, Dialectica spiritului grec / The Dialectics of the Greek Spirit, Bucureşti, Ed. Meridiane, 1983
• Gilbert Durand, L’imagination symbolique, Paris, Presses Universitaires de France, 1964
• W.K.C. Guthrie, Orphée et la religion grecque. Etude sur la pensée orphique, Paris, Ed. Payot, 1956
• Eva Kushner, Le mythe d’Orphée dans la littérature française contemporaine, Paris, Ed. Nizet, 1961
• Jean-Michel Maulpoix, La voix d’ Orphée. Essai sur le lyrisme, Paris, Ed. Jose Corti, 1989
• Louis Moulinier, Orphée et l’orphisme à l’âge classique, Paris, Société d’édition «Les Belles Lettres», 1955
• Friedrich Nietzsche, Naşterea tragediei / The Birth of Tragedy, în De la Apollo la Faust / From Apollo to Faust, Bucureşti, Ed. Meridiane, 1978
• Platon, Dialoguri / Dialogues, Bucureşti, Editura pentru literatura universală, 1968
• Erwin Rohde, Psyche, Bucureşti, Ed. Meridiane, 1985
• Reynal Sorel, Orfeu şi orfismul / Orpheus and Orphism, Bucureşti, Ed. Teora, 1998
• Mario Vegetti, Omul şi zeii / Man and Gods, în JeanPierre Vernant, Omul grec / The Greek Man, Ed. Polirom, 2001

From Close Reading to Distant Reading. Evolutions in Comparative Studies

The theme of my proposal concerns quantitative methods and digital analysis in the recent literary theory. Starting from the assumption of the impossibility of accessing traditional ways of reading a textual corpus in its integrity (here I refer both to the exponential growth of interest for ex-centric literature, following the explosion of post-colonial studies, and to the discovery, as a result of several quantitative analyses, of a serious number of exponents for the central literatures), the quantitative research, and also the updated version of the literary analysis by means of the informational technology offers an ample theoretical area that deserves to be debated and disseminated in the Romanian academic field. From a comparatist perspective, I will try to trace the specific characteristics for the new paradigm of digital humanities and for the way in which the new methods of research can generate mutations of the comparatist discourse. My attempt is to make clear the concepts of quantitative research (distant reading, close reading) and digital humanities, and also to highlight the specific characteristics of the notions that are in the scope of this concept. Furthermore, I will try to question the relation between the methodological turn related to the most recent technologies and the traditional ways of reading and interpretation. Last but not least, I attempt to highlight the relation of influence between theories which precede the assessment of the concept digital, per se, and the ones that lead the research towards employing technological resources.

Keywords: distant reading, close reading, digital humanities, world literature, comparative literature

• ***, Comparative Literature in the Age of Multiculturalism¸ ed. Charles Bernheimer, Baltimore, Maryland: The Johns Hopkins University Press, 1995.
• Boruszko, Graciela, „New Technologies and Teaching Comparative Literature”, în CLCWeb: Comparative Literature and Culture 15.6 (2013).
• Burdick, Anne, Johanna Drucker, Peter Lunenfeld, Todd Presner, Jeffrey Schnapp, Digital_Humanities, Cambridge, Massachusetts: The MIT Press, 2012.
• Damrosch, David, What is World Literature?, Princeton: Princeton University Press, 2003.
• Goldiș, Alex, „Digital Humanities – o nouă paradigmă teoretică” / „Digital Humanities – A New Theoretical Paradigm”, în Revista Transilvania, nr. 12/2014.
• Jockers, Matthew L., Macroanalysis, Digital Methods and Literary History, Chicago: University of Illinois Press, 2013.
• Miller, Vincent, Understanding Digital Culture, Los Angeles: SAGE Publishing, 2011.
• Moretti, Franco, Distant Reading, London: Verso, 2013.
• Ramsay, Stephen, Reading Machines. Toward an Algorithmic Criticism, Chicago: University of Illinois Press, 2011.
• Schreibman, Susan, Ann M. Hanlon, „Determining Value for Digital Humanities Tools: Report on a Survey of Tool Developers”, pe platforma http:// digitalhumanities.org, vol. 10, nr. 2, 2010.
• Tötösy de Zepetnek, Steven, Graciela Boruszko, „Paradigm Shift in comparative Humanities: Digital Humanities, Pedagogy with New Media Technology, and Publishing Scholarship Online”, pe platforma https://stateofthediscipline.acla.org.

Conținut indisponibil.

Conținut indisponibil.

Conținut indisponibil.

• Richard Eder, The Unsceptered Isle of English Literature: „A Sinking Island: The Modern English Writers” by Hugh Kenner, în Los Angeles Times, 31 ianuarie 1988
• Hugh Kenner, A Sinking Island: The Modern English Writers, Knopf, New York, 1988
• Hugh Kenner, Chuck Jones. A Flurry of Drawings, University of California Press, 1994
• Hugh Kenner, Dublin’s Joyce, Columbia University Press, 1956
• Hugh Kenner, Joyce’s Voices, University of California Press, 1978
• Hugh Kenner, Samuel Beckett: A Critical Study, University of California Press, 1968
• Hugh Kenner, The Invisible Poet: T.S. Eliot, Harcourt, San Diego, California, 1969
• Hugh Kenner, The Pound Era, University of California Press, Berkeley and Los Angeles, 1971
• Marjorie Perloff, The Dance of the Intellect. Studies in the Poetry of the Pound Tradition, Northwestern University Press, Evanston, 1996
• Michael Silverbatt, I like to think that at best the interview becomes something like the unaccountable experience of talking to oneself in a mirror, interview taken by Sarah Fay for The Believer, June 2010