Autor: Miruna Ciocoi-Pop
Email: miruna.ciocoipop@ulbsibiu.ro
Stylistics: Linguistic and Literary
This article seeks to provide a close view of the concepts of linguistic stylistics and literary stylistics, as well as their place in the realm of linguistic investigation. The focus lies on the contrastive analysis of the differences and similarities between them,ș more precisely, the article has in view their analytical tools and last but not least, their goals.
Keywords: stylistics, linguistics, linguistic stylistics, literary stylistics
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The Archives of the Romanian Novel and Digitization Possibilities
The present study assesses the existing archives that gather and preserve in digital versions the Romanian novel published in the 19 th century. Digitalization projects, both in Romania and in Europe, are the main subjects of this research. Adding to this, we share the particular and common experiences of the Astra Data Mining: The Digital Museum of the 19th Century Romanian Novel in terms of the process of digitizing the 157 novels in our corpus. Other details such as the specific editions digitized, the process of selection, as well as any difficulties met along the way are also provided. At the same time, the activities of our project are also corroborated with similar European projects. In order to address our digitization practice, we also explore a theoretical and methodological framework borrowed by Stanford Literary Lab in terms of conceptualizing what the American researchers call ”the published”, ”the archive” and ”the corpus”.
Keywords: Romanian literature, 19th century novel, canon/archive, digital humanities
***. Dicționarul cronologic al romanului românesc de la origini până în 1989. București: Editura Academiei Române, 2004.
Algee-Hewitt, Mark, Sarah Allison, Marissa Gemma, Ryan Heuser, Franco Moretti, Hannah Walser. Canon/Archive. Large-scale Dynamics in the Literary Field. January 2016. https://litlab.stanford.edu/LiteraryLabPamphlet11.pdf.
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Digital Tools for the Analysis of the Romanian Novel
Drawing from the most recent developments in the field of Digital Humanities, the article showcases some of the most promising methods as well as some of the most useful tools for computational textual analysis. Textometry, stylometry and network analysis (alongside topic modelling or distributional semantics) are nowadays methods that, through the recent developments in digital formalism proposed by Matthew L. Jockers or the researchers from Stanford Literary Lab, are able to reveal literary and cultural patterns at a macroanalytical method. The article will delve into computational stylistics by testing the Stylo package, developed by Maciej Eder, Jan Rybicki and Mike Kestemont, on a sample corpus provided by the ASTRA Data Mining Project, attempting to explore the merits of such methods in the field of Romanian literary studies.
Keywords: digital humanities, Romanian literature, 19th century novel, stylometry, textometry, network analysis, macroanalysis
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Baghiu, Ștefan. „Translating Hemispheres: Eastern Europe and the Global South Connection through Translationscapes of Poverty”. Comparative Literature Studies, 56.3 (2019): 487-503.
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Eder, M., Rybicki, J. and Kestemont, M. „Stylometry with R: a package for computational text analysis”. În R Journal, vol. 8, no. 1 (2016): 107-121, https://journal.r-project.org/archive/2016/RJ-2016-007/index.html.
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Olaru, Ovio. “What is Digital Humanities and What’s It Doing in Romanian Departments?”. Revista Transilvania, 5-6 (2019): 30-37.
Pojoga, Vlad. “A Survey of Poetry Translations in Romanian Periodicals (1990-2015)”. În The Culture of Translation in Romania / Übersetzungskultur und Literaturübersetzen in Rumänien, 99-121, editat de Maria Sass, Ștefan Baghiu și Vlad Pojoga. Berlin: Peter Lang, 2018.
Pojoga, Vlad. “The Change of Medium and the Medium that Changes: Narrative Literature, Networks, and the Digital”. Transylvanian Review, vol. XXVIII, Supplement 1 (2019): 203-215.
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Terian, Andrei. “Big Numbers: A Quantitative Analysis of the Development of the Novel in Romania”. Transylvanian Review, vol. XXVIII, Supplement 1 (2019): 55-71.
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The Genres of the 19th Century Romanian Novel. A Quantitative Analysis
This article approaches a series of conceptual optimizations of the subgenres of the Romanian 19th century novels established by the Chronological Dictionary of the Romanian Novel from Origins to 1989 (2004). Starting by analyzing the corpus of works digitized for ASTRA Data Mining. The Digital Museum of the 19th Century Romanian Novel, the authors revisit possible definitions of some of the most preeminent and discussed typologies of the 19th century novel production in Romania: the outlaw novel, the social novel, the novel of manners, the rural novel, the historical novel, the sensation novel, the erotic novel, and the family novel. The central goal of the article is, therefore, to shape a taxonomy that fits the formal, thematical, and rhetorical variety of the Romanian novel in the 19th century.
Keywords: genre theory, 19th century literature, Romanian literature, Romanian novel, novel subgenres.
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The Internal Geography of the Romanian Novel in the 19th Century
This article is part of the series that analyzes by employing research methods such as distant reading and geocriticism the archive created by a team of young Romanian academics for the cultural and research project ASTRA Data Mining. The Digital Museum of the 19th Century Romanian Novel, implemented by ASTRA National Museum Complex. Our inquiry uses metadata regarding geolocations that was gathered while digitizing 157 novels published in Romania in the 19th century to bring forward their internal geographical universe and challenges the assumption that Romanian literature and especially the novel were mainly rural at the time.
Keywords: literary geography, Romanian literature, Romanian novel, 19th century literature, distant reading, microanalysis.
***. Dicționarul cronologic al romanului românesc de la origini până la 1989 [The Chronological Dictionary of the Romanian Novel from Origins to 1989]. Cluj-Napoca: Academia Română, 2004.
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Terian, Andrei. “Big Numbers: A Quantitative Analysis of the Development of the Novel in Romania”. Transylvanian Review, vol. XXVIII, Supplement 1 (2019): 55-71.
Terian, Andrei. “Mihai Eminescu. From National Mythology to the World Pantheon”. În Romanian Literature as World Literature, editat de Mircea Martin, Christian Moraru și Andrei Terian. New York: Bloomsbury Academic, 2018.
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Terian, Andrei, Daiana Gârdan, Cosmin Borza, David Morariu, Dragoș Varga. „Genurile romanului românesc în secolul al XIX-lea. O analiză cantitativă”, Revista Transilvania, 10 (2019): 17-28.
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Warf, Barney și Santa Arias. The Spatial Turn. Interdisciplinary perspectives. Londra și New York: Routledge, 2008.
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National Characterologies in Interwar Central-East Europe. Contemporary Rereadings
The interwar blooming of national characterologies, as a genre, was a fact not only for the Western, but also for the Central-East European cultures. Intellectuals from all countries of the meso-region engaged in a mimetic competition whose main aim was to more convincingly acculturate ”central” models, importing cultural contents such as logical arguments, metaphors and clichés into their domestic repertoires. The most appreciated providers were less the 19th c. Romantic founders of the national discourse (like Herder and Fichte), and more the 20th c. authors of (para-)philosophical or (para-)scientific narratives of considerable commercial success, such as Hans Driesch, Leo Frobenius, Hermann von Keyserling, Ludwig Klages, Carl Schmitt, or Oswald Spengler. This paper looks into the comparative re-evaluation of the Central-East European interwar national characterologies, on the footsteps of the recent research conducted at the Centre for Advanced Study Sofia (C.A.S.). In the end, it also advances a proposition for a stronger collaboration between literary and identity studies, by showing that the complexities of the antimodern imaginary can be better addressed by looking into the literary strategies involved in the national characterologies. The example chosen to illustrate this approach is a brief analysis of Emil Cioran’s national ontology, The Transfiguration of Romania (1936), and of the key-function held by the cognitive metaphor of the ”leap” (or saltation) in his line of argument.
Keywords: identity, national characterology, Central-East European studies, antimodernism, cognitive metaphor
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Mishkova, Diana, Marius Turda, Balázs Trencsényi, (eds). Discourses of Collective Identity in Central and South East Europe 1770-1945. Vol. III. Part 2. Anti-Modernism. Radical Revisions of Collective Identity. Budapest, New York, C.E.U. Press, 2014.
Ortega y Gasset, José. Meditații despre Don Quijote și Gânduri despre roman. Traducere, prefață, note și tabel cronologic de Andrei Ionescu. București, Editura Univers, 1973.
Petreu, Marta. Cioran sau un trecut deocheat. Iași, Editura Polirom, 2011.
Taylor, Charles. Etica autenticității. Traducere de Alex Moldovan, Postfață de Radu Neculau. Cluj, Idea Design & Print, 2006 (ediție princeps: 1992).
Trencsényi, Balázs. The Politics of ”National Character”. A Study in Interwar East European Thought. London & New York, Routledge, 2012
Whitebrook, Maureen. Identity, Narrative, and Politics. London, Routledge, 2001.
Marta Petreu from a Gender Perspective
The poetry of Marta Petreu is one among few feminine voices who were actually heard, who stand out on the romanian literary scene in the 80`s. Her poetry is dynamic, strong, meaningful and rather feminist. She seems to anatomize her soul through her lyrics and thus her poetry is considered to be singular. The purpose of this work is to represent the poetry of Marta Petreu from a gender perspective.
Keywords: feminism, confessional poetry, virility of language, nerve, emotions.
Volume:
Azadeh Mehrpouyan, Seyedeh Samereh Abbasnezhad Banehmir Feminism and feminine culture in modern women writers’ works: with special reference to Anne Sexton and Audre Lorde, Procedia – Social and Behavioral Sciences 158 ( 2014 ) 199 – 205
Cărtărescu, Mircea: Postmodernismul românesc, București, Ed. Humanitas, 1999.
Diaconu, A. Mircea, Atelierele poeziei, București, Ed. Ideea Europeană, 2005
Manolescu, Nicolae, Istoria critică a literaturii române- 5 secole de literatură, Pitești, Ed, Paralela 45, 2008.
Mincu, Marin, O panoramă critică a poeziei românești din secolul al XX-lea, București, Ed. Pontica, 2007.
Rich, Adrienne, Blood, Bread, and Poetry:Selected Prose, 1986 în volumul
Simion, Eugen, Scriitori români de azi, IV, București, Ed. Cartea Românească, 1989.
Publicații:
Cărtărescu, Mircea, Realismul poeziei tinere, România literară, 23 IV 1987.
Pop, Ion, Lectii de vivisectie in oglinda in Vatra, nr. 5, 1999.
Radu Stanca – The Aesthete of Totality
The main purpose of this article is to emphasize the difference between aestheticism and aesthetics, as well as to show how they work together in Radu Stanca’s writings. There is also presented the autonomy of aesthetics and the way it is developed in Stanca’s works. Furthermore, it tries to clear the role of ethics in Stancian aesthetics and how it is integrated in the concrete totality of his work.
Keywords: Radu Stanca, aesthetics, aestheticism, the autonomy of aesthetics, the integration of ethics in aesthetics.
Adorno, Theodor, Teoria estetică, Traducere din limba germană de Andrei Corbea, Gabriel H. Decuble, Cornelia Eșianu, Pitești, Editura Paralela 45, 2006.
Balotă, Nicolae, Radu Stanca, în Arte poetice ale secolului XX, București, Editura Minerva, 1976.
Crohmălniceanu, Ovid, S., și Heitmann, Klauss, Cercul literar de la Sibiu și influența catalitică a culturii germane, București, Editura Universalia, 2000.
Ralea, Mihai, Mentalitatea estetică și timpul nostru în Scrieri din trecut, vol. 1, București, Editura de Stat pentru Literatură și Artă, 1957.
Stanca, Stanca, Rege, preot și profet în Teatru, București, Editura Eminescu, 1985.
Varga, Dragoș; Baghiu, Ștefan, Theories of the Biographical Genres in Romanian Postwar Criticism, în Transylvanian Review, vol. XXVIII, Supplement No. 1/2029, p. 33-43.
Varga, Dragoș, Radu Stanca. Sentimentul estetic al ființei, Sibiu, Timpul, 2011.
Varga, Dragoș, A Cultural Obsession: The Foundation Of Romanian Classicism, în Transilvania, nr. 1/2019, p. 57-60.
Varga, Dragoș, Colocviale. Perspective critice și estetice, Editura Muzeul Literaturii Române, București, 2013, p. 91-147.
Varga, Dragoș, În căutarea naratorului perfect, cap. „Estetica Cercului Literar de la Sibiu”, Institutul European, Iași, 2011, p.169-183.
History as Literature and the Alternative Realities
Considered one of the most important and influential contemporary British writers, Graham Swift succeeded in imposing his artistic method with the publication of Waterland (1983). Apart from the plot, this novel illustrates many of the postmodern theories of aesthetic representation and also establishes an original balance between reality and its historic expression. Many literary critics analyzed Swift’s writing taking into consideration Hayden White’s ideas and subsequently underlined the British novelist’s prevalence as far as the limits of the mimesis or the relationship between fact and fiction are concerned. His other novels, such as Last Orders and Tomorrow, continue to explore the domain of personal memory related to that of history, but unfortunately do not reach the artistic level of Waterland, a masterpiece in its own way. Nevertheless, Graham Swift remains one of the most important representatives of postmodern fiction and one of the greatest masters of contemporary novel.
Keywords: postmodern novel, literary influence, history, reality, illusion, metafiction.
Graham Swift, Pământul apelor (Waterland). Traducere de Traducere de Cristina Poenaru şi Maria-Sabina Draga, Iaşi, Editura Polirom, 2010.
Graham Swift, Ultima comandă (Last Orders). Traducere de Petru Creţia şi Cristina Poenaru, Iaşi, Editura Polirom, 2009.
Graham Swift, Mâine (Tomorrow). Traducere şi note de Cristiana Vişan, Iaşi, Editura Polirom, 2008.
David Malcolm, Understanding Graham Swift, The University of South Carolina Press, 2003.
Hayden White, Metahistory. The Historical Imagination in Ninetinth-Century Europe, Baltimore & London, The Johns Hopkins University Press, 1975.
Hayden White, Figural Realism. Studies in the Mimesis Effect, The Johns Hopkins University Press, Baltimore & London, 2009.
Instances of Violence in Joyce Carol Oates’s Short Fiction
The aim of the present paper is to reappraise some short stories published by Joyce Carol Oates in the last decades of the twentieth century in order to identify a pattern of violence that pervaded, in the writer’s opinion, the American cultural landscape of the time, one marked and marred by consumerism, material saturation and void spiritual expectations, as well as to show that the writer’s obsessive recurrence to violence was, before the age of online communication, a genuine reflection of a society in which the individual’s desire for public visibility would easily become a substitute for fame and/or success.
Keywords: violence, American life, American Dream, home, displacement.
Friedman, Ellen G. Joyce Carol Oates. New York: Frederick Ungar Publishing Co. 1980.
Frueh, Laura. Theme: Violence. In feminismlfrueh.blogspot.com/2011/09/theme-violence.html. Online: Retrieved Jun. 2019.
Gilbert, Sandra and Susan Gubar. Joyce Carol Oates. In Gilbert, Sandra and Susan Gubar (eds.). The Norton Anthology of Literature by Women. New York and London: W.W. Norton & Co., 1985, pp. 2276-2277.
Hassan, Ihab. Radical Innocence: Studies in the Contemporary American Novel. Princeton: Princeton University Press, 1961. 64.
Oates, Joyce Carol. Golden Gloves. In Oates, Joyce Carol. Raven’s Wing. London: Jonathan Cape, 1987, pp. 50-69.
Oates, Joyce Carol. Invisible Woman. In Modern American Women Writers. Showalter, Elaine, Lea Baechler, A. Walton Litz (eds.). New York: Charles Scribner’s Sons, 1991.
Oates, Joyce Carol. Plot. In Oates, Joyce Carol (ed.). Scenes from American Life. Contemporary Short Fiction. New York: Random House, 1973.
Oates, Joyce Carol. Where Are You Going, Where Have You Been?. In Gilbert, Sandra and Susan Gubar. The Norton Anthology of Literature by Women. New York and London: W.W. Norton & Co., 1985, pp. 2277-2291.
Ramdinthari, D. Joyce Carol Oates and the Dimension of Violence. www.ResearchScholar.co. vol.2, issue I, http://www.researchscholar.co.in/downloads/39-dr.–ramdinthari.pdf, 258. Online: Retrieved Jun. 2019.
The role of documentary research in the training of specialized translators
Our article examines how to develop the competence in information retrieval, the thematic competence and, partly, the technological competence. We will study the various research strategies and techniques as well as the different categories of sources and documentary instruments. Afterwards, we will address the question of the reliability of the obtained results, with particular emphasis on the criteria for assessing, selecting and processing the selected documents.
Keywords: documentary research, information, competence, specialized translation
Colson, Jean-Pierre, « La traduction spécialisée basée sur les corpus : une expérience dans le domaine informatique », dans Synergies Tunisie, no 2, 2010, p. 115-123. Accès : < https://gerflint.fr/Base/Tunisie2/colson.pdf>. (Dernière consultation : le 2 septembre 2018).
Durieux, Christine, « La recherche documentaire en traduction technique : conditions nécessaires et suffisantes », dans Meta, volume 35, no 4, 1990, p. 669-675. Accès : < https://id.erudit.org/iderudit/002688ar >. DOI : 10.7202/002688ar. (Dernière consultation : le 30 août 2018).
Durieux, Christine, « L’enseignement de la traduction : enjeux et démarches », dans Meta, volume 50, no 1, 2005, p. 36-47. Accès : < https://id.erudit.org/iderudit/010655ar>. DOI : 10.7202/010655ar. (Dernière consultation : le 30 août 2018).
Durieux, Christine, Fondement théorique de la traduction technique [Theoretical Basis for Technical Translation], Paris, Didier Érudition, 2010.
Gile, Daniel, « Les outils documentaires du traducteur », dans Palimpsestes [Palimpsestes], no 8, 1994, p. 73-89. Accès : < http://journals.openedition.org/palimpsestes/735>. DOI : 10.4000/palimpsestes.735. (Dernière consultation : le 15 juin 2018).
Gile, Daniel, La traduction. La comprendre, l’apprendre [Learning and Understanding Translation], Paris, PUF, 2005.
Gouadec, Daniel, Le Traducteur, la traduction et l’entreprise [Translator, Translation and Company]. Paris, AFNOR Gestion, 1989.
Gouadec, Daniel, Profession : traducteur [Translation as a Profession], Paris, La Maison du dictionnaire, 2002.
Guidère, Mathieu, Introduction à la traductologie, Penser la traduction : hier, aujourd’hui, demain [Introducing Translation Studies, Thinking Translation : Past, Present, Future], Bruxelles, De Boeck, 2010.
Lebtahi, Yannicke, Ibert, Jérôme, « Traducteurs dans la société de l’information. Évolutions et interdépendances. », dans Meta, volume 49, no 2, 2004, p. 221-235. Accès : < https://id.erudit.org/iderudit/009347ar>. DOI : 10.7202/009347ar. (Dernière consultation : le 12 juillet 2018).
Lederer, Marianne, La Traduction aujourd’hui – le modèle interprétatif [Translation : The Interpretative Model], Caen, Lettres Modernes Minard, 2006.
Mareschal, Geneviève, « Le rôle de la terminologie et de la documentation dans l’enseignement de la traduction spécialisée », dans Meta, volume 33, no 2, 1988, p. 258-266. Accès : < https://id.erudit.org/iderudit/003573ar>. DOI : https://doi.org/10.7202/003573ar. (Dernière consultation : le 11 juin 2018).
Towards the Aster Revolution in Hungary and the Proclamation of the Popular Republic
(11 October – 16 November 1918)
The dissolution of the Austro-Hungarian empire took by surprise the Hungarian political class which seemed unable to understand the signs of the time. The monarch’s proposal of democratization triggered an unpredictable reaction in Budapest: Hungary declared its independence and territorial integrity. On October 23, the Wekerle government was forced to resign. The aristocracy’s struggle to preserve the status quo was shattered by the Aster Revolution in the night between 30 and 31 October 1918. The Hungarian National Council set up on the night of 23-24 October, took over the political power and Council President, Mihály Károlyi, became prime minister.
Keywords: Aster Revolution, Mihály Károlyi, Hungarian National Council, Romanian National Council.
Orientalism, Past and Present: The image of Otherness in Western Middle Ages
The current orientalism, as it is decried by Said, generally monolithically depicts a Western world which is hostile to the East. This statically image somehow neglects the variation of orientalist arguments. Its origin and evolution have to be tracked down in an earlier period than Western European modernity. Such an effort is worthy in shedding light on the discursive strategies used by Middle Ages scholars from Western Europe to degrade Islam. The contexts of political subordination, organized violence and attempts to convert the infidel Muslims are relevant for the denatured image of the Muslim faith and for the Western incapacity to evaluate Islam as an equal partner. Moreover, those attitudes and prejudice are important for the mechanism fuelling the modern orientalism in that it manages to fully justify cultural domination and political subordination in the modern era.
Keywords: orientalism, Western culture, Middle Ages, Islam.
Brague, Rémi, Au moyen du Moyen Âge. Philosophies médiévales en chrétienté, judaïsme et islam / At the Heart of Middle Ages. Medieval Philosophies in Christian, Jewish and Islamic World, Paris, Flammarion, 2006.
Guénon, René, Lumea modernă (culegere de articole) / The Modern World, București, Herald, 2018.
Said, Edward W., Orientalism. Concepțiile occidentale despre Orient / Orientalism, București, Art, 2018.
Schuon, Frithjof, Comprendre l’Islam / Understanding Islam, Paris, Seuil, 1976.
Tolan, John V., Les sarrasins. L’islam dans l’imagination européenne au Moyen Âge / Saracens: Islam and the Medieval European Imagination, Paris, Flammarion, 2003.