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9 / 2024

Transilvania featured 9.2024
Revista: 9 / 2024
Anul Publicarii:2024
Print ISSN: Print ISSN 0255-0539; Electronic ISSN 3061-2217

Științe socio-umane

Arte vizuale

Filozofie și studii sociale

Antropologie și etnologie

Sociologie

Științe politice & juridice

Istorie & Antropologie

Autor: Cristian Ioan POPA, Cristinel PLANTOS
Email: cristian.popa@uab.ro

An Incursion into the Archaeological Heritage of the Gura Râului, Sibiu County (II)

Abstract: If in the first part of the research the archaeological heritage of Gura Râului was presented, on this occasion data are given on the religious buildings from the medieval (“Cuvioasa Paraschiva”) and modern („Sts. Archangels Michael and Gabriel”) periods, respectively on the disappeared medieval monastery (Schwarzen Klosters). The presentation of the medieval, pre-modern and modern heritage of Gura Râului revealed a different potential from the one found by classification. On the one hand, the well known one, of which the “old church” is not missing, on the other hand, a known but ignored heritage. Particular attention is drawn to the two 18th-century objectives whose existence, although proven, has not aroused sufficient interest or a coherent effort to map, classify and protect them: the stone quarry and the Gura Râului – Sibiu navigable canal, part of a project dating from 1702-1703. Their identification in the field, aerial photographic documentation and cartographic recovery of the period have been the preoccupations of the last years, materialized in this article.

Keywords: Gura Râului, medieval church, stone quarry, navigable canal, technical heritage.

Arsenie, Dumitru I. Gura Rîului. Sat din Mărginime [Gura Rîului. A Village from Mărginime]. Sibiu: Editura Universităţii Lucian Blaga, 2000.

Berger, Albert. “Volkszählung in den 7 und 2 Stühlen, im Bistritzer und Kronstädter Distrikte vom Ende des XV. und Anfang des XVI. Jahrhunderts.” Korrespondentzblatt XVII, no. 6 (1894): 49–59.

Burnichioiu, Ileana. Biserica ortodoxă Cuv. Paraschiva din Gura Râului (Auendorf, Guraró). Secolele XV?-XIX [The Orthodox Church of St. Paraschiva in Gura Râului (Auendorf, Guraró). 15th?-19th Centuries]. Manuscript, 2010.

Civlizaţia apei în Gura Rîului: micromonografie pentru încurajarea turismului [The Civilization of Water in Gura Rîului: A Micromonograph for Promoting Tourism]. Sibiu: Casa de Presă şi Editură Tribuna, 2015.

Czekelius, Otto. “Rund um den Großen Ring.” Neuer Weg 28, no. 8467 (August 4, 1976): 4–6.

Dumitran, Daniel, Ana Dumitran, and Florean Adrian Laslo, eds. “…virtuti decreti tollerantiae beneficia clero Graeci restituenda…”. Biserica românească din Transilvania în izvoarele statistice ale anului 1767 [“…virtuti decreti tollerantiae beneficia clero Graeci restituenda…”. The Romanian Church in Transylvania in the Statistical Sources of 1767]. Alba Iulia: Editura Altip, 2009.

Fabini, Hermann. Atlas der siebenbürgisch-sächsischen Kirchenburgen und Dorfkirchen. Vol. 1. Hermannstadt: Monumenta Verlag; Heidelberg: Arbeitskreis für siebenbürgische Landeskunde e.V., 1998.

Ghişa, Ciprian. Episcopia greco-catolică de Făgăraş în timpul păstoririi lui Ioan Lemeni 1832-1850 [The Greek-Catholic Diocese of Făgăraş during the Episcopacy of Ioan Lemeni, 1832–1850]. Vol. 1. Cluj-Napoca: Argonaut, 2008.

Gündisch, Gustav, Herta Gündisch, Konrad Gündisch, and Gernot Nussbächer. Urkundenbuch zur Geschichte der Deutschen in Siebenbürgen. Vol. VII (1474–1486). Bucharest: Editura Academiei Române, 1991.

Luca, Sabin Adrian, Zeno Karl Pinter, and Adrian Georgescu. Repertoriul judeţului Sibiu [Repertory of Sibiu County]. Sibiu: Editura Economică, 2003.

Miron, Greta. Biserica greco-catolică din Transilvania. Cler şi enoriaşi (1697-1782) [The Greek-Catholic Church in Transylvania. Clergy and Parishioners (1697–1782)]. Cluj-Napoca: Presa Universitară Clujeană, 2004.

Muntean, Ioachim. Monografia economico-culturală a comunei Gurarîului [The Economic and Cultural Monograph of the Gurarîului Commune]. Sibiu: Tiparul Institutului Tipografic, 1896.

Munteanu, Claudiu I. Contribuţii la repertoriul arheologic al judeţului Sibiu [Contributions to the Archaeological Repertory of Sibiu County]. Sibiu: Editura Armanis, 2018.

Munteanu, Claudiu, and Răzvan Pop. “Portul oraşului Hermannstadt (Sibiu) din anul 1703” [The Port of the City of Hermannstadt (Sibiu) in 1703]. Studia Universitatis Cibiniensis. Series Historica XI (2014): 27–39.

Pop, Răzvan. “Un repertoriu al monumentelor dispărute, construite în perioada habsburgică şi a Imperiului Austro-Ungar” [A Repertory of Disappeared Monuments Built During the Habsburg Period and the Austro-Hungarian Empire]. Brukenthal. Acta Musei I, no. 2 (2007): 230–255.

Popa, Cristian Ioan, and Cristinel Plantos. “O incursiune în patrimoniul arheologic al comunei Gura Râului, județul Sibiu (I)” [An Incursion into the Archaeological Heritage of the Gura Râului Commune, Sibiu County (I)]. Transilvania no. 9 (2023): 86–96.

Porumb, Marius. Dicţionar de pictură veche românească din Transilvania, sec. XIII-XVIII [Dictionary of Old Romanian Painting in Transylvania, 13th–18th Centuries]. Bucharest: Editura Academiei Române, 1998.

Rusu, Adrian A., coord. Dicţionarul mănăstirilor din Transilvania, Banat, Crişana şi Maramureş [Dictionary of Monasteries in Transylvania, Banat, Crişana, and Maramureş]. Cluj-Napoca: Presa Universitară Clujeană, 2000.

Streza (Modi), Maria. Cele trei paradigme feminine ale iconografiei creștine. Condiția feminității exprimată în decorul mural al bisericilor ortodoxe din județul Sibiu (sfârșit de secol XVIII și început de XIX) [The Three Feminine Paradigms of Christian Iconography. The Condition of Femininity Expressed in the Mural Decorations of Orthodox Churches in Sibiu County (Late 18th and Early 19th Century)]. Doctoral dissertation abstract, Cluj-Napoca, 2019.

Studii culturale

Autor: Daniel IFTENE
Email: daniel.iftene@ubbcluj.ro

Abstract: This study aims to map the representation of national minorities in Romanian fiction films from 1990 to 2021 and to highlight the main mechanisms employed by local filmmakers to portray the local multicultural landscape. Starting with the films of the transition period and the approaches of directors like Lucian Pintilie and Mircea Daneliuc in reflecting on the minority-majority relationship, the study offers a comparison with three fiction films where authors from ethnic minorities themselves take control of narratives about their own communities. By doing so, these filmmakers—Radu Gabrea, Toma Enache and Alina Șerban—shape the discourse generated about their communities. Thus, the study seeks to shed light on both the transition toward self-representation of ethnic minorities in contemporary fiction films and the differences between these moments of self-representation and former cinematic depictions of local ethnic minorities.

 

Keywords: minority, ethnicity, transition, Lucian Pintilie, Mircea Daneliuc, Radu Gabrea, Alina Șerban, self-representation

Baumann, Gerd. The Multicultural Riddle: Rethinking National, Ethnic and Religious Identities, London & New York: Routledge, 1999.

Celik, Ipek A. Permanent Crisis: Ethnicity in Contemporary Cinema and Media, Michigan: University of Michigan Press, 2015.

Chang, Felix B., and Sunnie T. Rucker-Chang, eds. Chinese Migrants in Russia, Central Asia and Eastern Europe. London & New York: Routledge, 2012.

Fawkes, Ben. Ethnicity and Ethnic Conflict in the Post-communist World. London: Palgrave, 2002.

Gorzo, Andrei. O vară de neuitat. Un studiu critic [An Unforgettable Summer. A Critical Essay]. Bucharest: LiterNet, 2017.

Gorzo, Andrei, and Veronica Lazăr. Beyond the New Romanian Cinema: Romanian Culture, History and the Films of Radu Jude. Sibiu: Editura ULBS, 2023.

Gorzo, Andrei, and Andrei State, eds. Politicile filmului. Contribuții la interpretarea cinemaului românesc contemporan [Film Politics: Contributions to the Interpretations of Contemporary Romanian Cinema]. Cluj-Napoca: Editura Tact, 2014.

Hall, Stuart. “Cultural Identity and Cinematic Representation.” Framework. The Journal of Cinema and Media, no. 36 (1989): 68–81.

Hall, Stuart. Representation: Cultural Representations and Signifying Practices. Newcastle-upon-Tyne: Sage, 1997.

Hancock, Ian. “The ‘Gypsy’ Stereotype and the Sexualization of Romani Women.” In „Gypsies” in European Literature and Culture, edited by Valentina Glajar and Domnica Rădulescu. London & New York: Palgrave MacMillan, 2008.

Iordanova, Dina. “Balkan Film Representations since 1989: the quest for admissibility.” Historical Journal of Film, Radio and Television 18, no. 2 (1998): 263–280.

Iordanova, Dina. Cinema of the Flames: Balkan Film, Culture and the Media. New York & London: Bloomsbury, 2019.

Jitea, Bogdan. Cinema în RSR. Conformism și disidență în industria ceaușistă de filme [Cinema in the Socialist Republic of Romania: Conformism and Dissent in the Ceaușescu-Era Film Industry]. Iași: Polirom, 2021.

Neacșu, Crina. “Celălalt în Aferim! al lui Radu Jude: dimensiunea lingvistică a rasismului” [The Other in Aferim! by Radu Jude: The Linguistic Dimension of Racism]. Transilvania, no. 7 (2023): 10–16.

Panayi, Panikos. Outsiders. A History of European Minorities. London: Hambeldon Press, 1999.

Ross, Mark Howard. Cultural Contestation in Ethnic Conflict. Cambridge: Cambridge University Press, 2007.

Stănculescu, Călin. Radu Gabrea: biografia unei opere [Radu Gabrea: The Biography of His Work]. Bucharest: NOI Media Print, 2012.

Autor: Daniela SENN
Email: dsenn@uct.cl

The Photographic Narrative of the German Migration and the Consolidation of the Chilean Nation 

Abstract: This article presents an iconological analysis of heritage photographs, that were taken during the migration process of the 19th and early 20th centuries from Germany to Chile and still impact in the present. The photos are conserved in collections in several archives in Chile and were published in different illustrated books, that were financed by the Chilean state in the context of the bicentenary of the Republic (2010). From the visual and critical heritage studies approach, photographs will be contrasted against period literature and contemporary assessments to discern the discursive and aesthetic devices, that are used to elaborate a visual narrative of southern Chile. In this way, images are understood as “readable” elements that, on the one hand, present synchronously and, on the other hand, tell a diachronic story. Heritage photography is selected to represent southern Chile in a specific time period. Cultural heritage is therefore analyzed as an institutional process in which different social agents define historical and aesthetic content as valuable and essential in a certain structure.

Keywords/ Historic narrativ, cultural heritage, photography, southern Chile.

Alvarado, Margarita. La fantasía fotográfica del otro—La estirpe Valck y sus imágenes de los mapuche [The photographic fantasy of the other—The Valck lineage and their images of the Mapuche]. In Los pioneros Valck, un siglo de fotografía en el sur de Chile [The Valck pioneers, a century of photography in southern Chile], edited by Margarita Alvarado and Mariana Matthews, 26–31. Santiago: Pehuén, 2005.

Alvarado, Margarita. Estética de una mirada itinerante. El paisaje de la América del sur bajo el lente de Roberto Gerstmann [Aesthetics of an itinerant gaze. The landscape of South America under the lens of Roberto Gerstmann]. In Roberto Gerstmann, fotografías paisajes y territorios latinoamericanos [Roberto Gerstmann, photographs of Latin American landscapes and territories], edited by Margarita Alvarado, Mariana Matthews, and Carla Möller, 31–40. Santiago: Pehuén, 2009.

Alvarado, Margarita. Pose y montaje en la fotografía mapuche. Retrato fotográfico, representación e identidad [Pose and montage in Mapuche photography. Photographic portrait, representation, and identity]. In Mapuche: Fotografías siglo XIX y XX. Construcción y montaje de un imaginario [Mapuche: Photography of the 19th and 20th centuries. Construction and montage of an imaginary], edited by Margarita Alvarado, Pedro Mege, and Cristian Baez, 13–28. Santiago: Pehuén, 2001.

Arancibia, Patricia. “Ricardo Krebs Wilkens, Premio Nacional de Historia 1982” [Ricardo Krebs Wilkens, National History Prize 1982]. Dimensión histórica de Chile V, no. 4–5 (1987–1988): 179–188. http://www.memoriachilena.gob.cl/602/w3-article-74747.html.

Bauer, Kurt. Helden der Arbeit [Work heroes]. Stuttgart: Schriften des Deutschen Ausland-Instituts Stuttgart, 1929.

Belting, Hans. “Zu einer Ikonologie der Kulturen. Die Perspektive als Bildfrage” [Towards an iconology of cultures. Perspective as image problem]. In Ikonologie der Gegenwart [Iconology of the present], edited by Gottfried Boehm and Horst Bredekamp, 9–20. Munich: Wilhelm Fink Verlag, 2009.

Berger, John, and Jean Mohr. Otra manera de contar [Another way of telling]. Barcelona: Gustavo Gili, 2008.

Booth, Rodrigo, and Catalina Valdés. “De la naturaleza al paisaje. Los viajes de Francisco Vidal Gormaz en la colonización visual del sur de Chile en el siglo XIX” [From nature to landscape. The travels of Francisco Vidal Gormaz in the visual colonization of southern Chile in the 19th century]. Anales del IAA 46, no. 2 (2016): 199–216. http://www.iaa.fadu.uba.ar/ojs/index.php/anales/article/view/214/347.

Burchard, P., and von Roettingen, O. “Deutsche Missionäre unter den Araucaner” [German missionaries among the Araucanians]. In Deutsche Arbeit in Chile [German work in Chile], edited by Deutscher Wissenschaftlicher Verein, 26–35. Santiago: Imprenta Universitaria, 1913.

Csillag, Ilonka. Conservación de fotografía patrimonial [Conservation of heritage photography]. Santiago: Centro Nacional del Patrimonio Fotográfico, 2000. https://www.cncr.gob.cl/sitio/Contenido/Publicaciones/4942:CONSERVACION-DE-FOTOGRAFIA-PATRIMONIAL.

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Didi-Huberman, Georges. Remontagen der erlittenen Zeit [Remontages of the time suffered]. Paderborn: Wilhelm Fink Verlag, 2014.

Frittbogen, Gottfried. “Von Philippi bis Anwandter. Die Entwicklung des Gedankens der deutschen Einwanderung in Südchile” [From Philippi to Anwandter. The development of the idea of German immigration in southern Chile]. Iberoamericana Editorial Vervuert. Ibero-amerikanisches Archiv 10, no. 3 (1936–1937): 271–286. https://www.jstor.org/stable/43134838.

García Canclini, Néstor. Políticas culturales en América Latina [Cultural policies in Latin America]. Mexico City: Grijalbo, 1987.

García Canclini, Néstor. Culturas híbridas. Estrategias para entrar y salir de la modernidad [Hybrid cultures: Strategies for entering and leaving modernity]. Barcelona: Paidós, 2012.

Jäger, Jens. Fotografie und Geschichte [Photography and history]. Frankfurt: Campus Verlag, 2009.

Kaltmeier, Olaf, and Mario Rufer. Entangled heritages. The uses of heritage and postcolonial condition in Latin America. London: Routledge, 2017.

Kindermann, Franz. Chile: mit Berücksichtigung der Provinz Valdivia, als zur Auswanderung für Deutsche besonders geeignet [Chile: with consideration of the province of Valdivia, as particularly suitable for emigration for Germans]. Berlin: Trowitzsch, 1849. https://reader.digitale-sammlungen.de/de/fs1/object/display/bsb11248686_00003.html.

Lenzi, Teresa. “La fotografía contemporánea como dispositivo discursivo y/o narrativo” [Contemporary photography as a discursive and/or narrative device]. Digital 2, no. 3 (2009). https://www.redalyc.org/pdf/3370/337027035005.pdf.

Mitchell, W. J. T. “Bildwissenschaft” [Image science]. In Ikonologie der Gegenwart [Iconology of the present], edited by Gottfried Boehm and Horst Bredekamp, 99–111. Munich: Wilhelm Fink Verlag, 2009.

Möller, Carla. “Roberto Gerstmann (1896–1964). Del tiempo, la distancia y otros espacios” [Roberto Gerstmann (1896–1964). About time, distance, and other spaces]. In Roberto Gerstmann, fotografías paisajes y territorios latinoamericanos [Roberto Gerstmann, photographs of Latin American landscapes and territories], edited by Margarita Alvarado, Mariana Matthews, and Carla Möller, 23–30. Santiago: Pehuén, 2009.

Odone, Carolina. “Entre la luz y la sombra: Fragmentos de la familia Valck-Wiegand a través del tiempo” [Between light and shadow: Fragments of the Valck-Wiegand family through time]. In Los pioneros Valck, un siglo de fotografía en el sur de Chile [The Valck pioneers, a century of photography in southern Chile], edited by Margarita Alvarado and Mariana Matthews, 13–19. Santiago: Pehuén, 2005.

Pinto, Jorge. La formación del estado y la nación, y el pueblo mapuche. De la inclusión a la exclusión [The development of the state and the nation, and the Mapuche people. From inclusion to exclusion]. Santiago: DIBAM Dirección de Bibliotecas, Archivos y Museos, 2003.

Prats, Llorenç. “Concepto y gestión del patrimonio local” [Concept and management of local heritage]. Cuadernos de Antropología Social, no. 21 (2005): 17–35.

Rufer, Mario. “La memoria como profanación y como pérdida: comunidad, patrimonio y museos en contextos poscoloniales” [Memory as desecration and loss: Community, heritage, and museums in postcolonial contexts]. A Contra Corriente [Against the tide] 15, no. 2 (2018): 149–166. https://dialnet.unirioja.es/servlet/articulo?codigo=6303754.

Senn, Daniela. “Patrimonialización e ingreso a la modernidad: El caso de las iglesias de Chiloé” [Patrimonialization and entry into modernity: The case of the churches of Chiloé]. Isla Flotante, no. 7 (2017). https://bibliotecadigital.academia.cl/xmlui/handle/123456789/4266.

Senn, Daniela. “Propaganda de la migración europea y el proyecto estado-nación chileno” [Propaganda of European migration and the Chilean national-state project]. Revista Antropologías del Sur 11, no. 21 (2024): 69–85. https://doi.org/10.25074/rantros.v11i21.2641.

Serrano, Margarita. “Ricardo Krebs. Una historia abierta” [Ricardo Krebs. An open history]. Mundo Diners Club, no. 60 (1987): 112–116. http://www.memoriachilena.gob.cl/602/w3-article-82562.html.

Smith, Laurajane. Uses of heritage. London: Routledge, 2006.

Smith, Laurajane. “‘El espejo patrimonial’. ¿Ilusión narcisista o reflexiones múltiples?” [‘The patrimonial mirror.’ Narcissistic illusion or multiple reflections?]. Antropol. Arqueol. 12, no. 262 (2011): 39–63.

Smith, Laurajane. “Industrial heritage and the remaking of class identity. Are we all middle class now?” In Constructing industrial pasts: Heritage, historical culture, and identity in regions undergoing structural economic transformation, edited by Laurajane Smith and Stefan Berger, 128–145. New York: Berghahn Books, 2020.

Stegmaier del Prado, Andrea, and Jochen Bender. “‘Wer nicht arbeiten will, soll nur draußen bleiben.’ Chile-Auswanderung aus Nelligen und Ruit in der Mitte des 19. Jahrhunderts” [“Those who don’t want to work should just stay outside.” Chilean emigration from Nelligen and Ruit in the mid-19th century]. In Aus der Geschichte Ostfilderns [From the history of Ostfildern], edited by Stadt Ostfildern, 176–215. Ostfildern: Stadt Ostfildern, 2006.

Unhold, Johannes. Der Kampf um das Deutschtum in Chile. Ein ruhmreicher Zeuge deutscher Kulturarbeit [The struggle for Germanness in Chile. A glorious witness to German cultural work]. Munich: Lehmann’s Verlag, 1899.

Vargas-Cetina, Gabriela. Anthropology and politics of representation. EBSCO Publishing: eBook Collection, 2013.

Von Thüngen, Maximiliano. Ruinas jesuíticas, paisajes de la memoria. El patrimonio cultural de los antiguos pueblos guaraníes [Jesuit ruins, landscapes of memory. The cultural heritage of the ancient Guaraní peoples]. Buenos Aires: SB, 2021.

Wunder, Gerhard. “Das Gesicht einer Landschaft. Zum hundertjährigen Gedanken der deutschen Einwanderung in Südchile” [The face of a landscape. On the centenary of German immigration in southern Chile]. Übersee-Rundschau, Otto Meissner’s Verlag, (1949): 61–63.

Biblioteconomie

Științele limbii

Autor: Katarzyna MOLEK-KOZAKOWSKA
Email: molekk@uni.opole.pl

Abstract: This paper reports on design and results of implementation of a series of diagnostic studies and interventions devoted to building up resilience against disinformation regarding the Russian-Ukrainian conflict, with a special focus on Polish teenagers. The initiative, called DisInfoResist, was conducted in the spring of 2024, and was motivated by the need to engage in co-creation with partner schools in order to propose a series of tailored actions given the ongoing hybrid war. However, adequate resilience-enhancing interventions can only be based on a thorough diagnosis of needs and competence gaps. Such diagnosis was undertaken in DisInfoResist with localized data collected through thematic analysis of 20 oral histories, 2 focus group sessions and 87 narrative auto-ethnographies. The subsequent piloted interventions addressed to a group of Polish secondary school students represented a way to boost their resilience against war-related disinformation by allowing them to practice their critical media literacy competences via a variety of specifically tailored activities related to critical language awareness, responding to fake news, overcoming disengagement, recognizing sensationalist media practices and algorithmic patterns.

Keywords: Russian-Ukrainian war, disinformation, DisInfoResist. diagnostic studies, critical language awareness.

Bennett, W. L., and S. Livingston, eds. The Disinformation Age. Cambridge: Cambridge University Press, 2020.

De Andrade Gama, I., and W. Mozgin. “Media Literacy and Its Role in Countering Hybrid Warfare (The Case of Ukraine).” Future Human Image 15 (2021): 4–13. https://doi.org/10.29202/fhi/15/1.

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Malecki, W. P., H. Bilandzic, and P. Sorokowski. “Media Experiences During the Ukraine War and Their Relationships with Distress, Anxiety and Resilience.” Journal of Psychiatric Research 165 (2023): 273–281.

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Zhang, X., and A. A. Ghorbani. “An Overview of Online Fake News: Characterization, Detection, and Discussion.” Information Processing and Management 57, no. 2 (2020): 102025.

Autor: Denisa-Maria BÂLC, Iulia-Maria TICĂRĂU
Email: denisa.fratean@ulbsibiu.ro

Abstract: The aim of this article is to analyze according to what criteria the image of woman is reflected in the news regarding the Russian-Ukrainian war in the Romanian mass media using content analysis, critical discourse analysis and imagology as research methods. The starting point of our research is the compilation of a representative corpus of 750 news texts published in 2022, from which we will analyze those containing keywords referring to the female gender in the title in order to highlight the approach used in the media discourse to frame the image of women during military conflicts. In our analysis we will consider three main directions: (1) a representation of the image of the woman using the thematic classification and the concepts of front line, respectively homefront, (2) a polarization of the image of the woman compared to the image of the man, and (3) a panorama of the way in which the two belligerent states of Ukraine and Russia are reflected in the Romanian press from an ethnic and a gender outlook.

Keywords: women, Russian-Ukrainian conflict, image, polarization, Critical Discourse Analysis

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Științele economice

Antropologie. Studii filozofice

Teologie

Studii literare

Autor: Alex CIOROGAR
Email: alexandru.ciorogar@ubbcluj.ro

Abstract: This paper develops a world-systems and theoretical analysis of the mechanisms of production and uneven distribution of authoriality in the global literary field. Its title is therefore intentionally duple in its ambiguity: the pursuit of authorship will be shown, simultaneously, as the action of pursuing something as a career (the writer who wishes to become a professional author, for instance, by writing and publishing a text or what I will call the author’s work) and, in parallel, as an activity of a specified and specialized kind (the entire range of elements and processes involved in the social production of authorship or what will be defined as the work of authorship). To this end, the function of world-authorship and its emergent model of ascension will be both situated within the neoliberal regime of capitalist production and the sphere of world literary studies by pursuing the contours and implications of a materialist, posthuman, and ecological approach, while also hinting at its value and processes indexed in terms of forms, figures, functions, and forces. Finally, then, understood within the post-theoretical conjuncture unfolding today, post-authorship will be defined as both a commodity and a world-apparatus.

Keywords: world-authorship, authorial ecology, world-dispositif, the ascension of the author, post-author, world-systems analysis, the work of authorship, the function of authorship. deneme bonusu veren siteler

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Autor: Irina GORGAN
Email: irina.g2002@yahoo.com

The Invalid Body in The Peripheric Modernism: Hortensia Papadat-Bengescu, between Import and Autochtonism

Abstract: This article presents a socio-literary analysis of the “invalid body” as depicted in Hortensia Papadat-Bengescu’s novels Disheveled Virgins (Fecioarele despletite, 1926) and Concert from Bach’s Music (Concert din muzică de Bach, 1927), within the context of the rise of eugenicist ideologies in interwar Romania. By comparing these portrayals of disability with representations of illness in other contemporary European novels, I explore the anachronistic relationship between the peripheral literary space of Romania and the central literary cultures of England and France. The methodology combines disability studies with key theoretical frameworks, including dysmodernism (Davis, 2019) and the concepts of the dys-/disarticulated (Berger, 2014), which are instrumental in understanding the depiction of the disabled body in 20th century European literature. I argue that the scientific discourses serve as a key factor in the social marginalization of the invalid characters in Papadat-Bengescu’s novels, where illness is not portrayed as the result of personal or psychological trauma but rather as a direct consequence of genetic inheritance. Through this analysis, I aim to highlight the terminological and conceptual differences between the literary center and periphery, focusing on the cultural reception of Papadat-Bengescu’s work in Romania and its social and ideological implications within the broader European context.

Keywords: Hortensia Papadat-Bengescu, modern novel, disability studies, eugenism, invalid body.

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Autor: Georgeta MATEI
Email: georgetamovila@umfst.ro

Abstract: This paper reveals how contemporary immigrant authors challenge the conventions of autobiography as conceptualized by Philippe Lejeune in self-referential novels that blur the boundaries between fiction and reality, storytelling and truth-telling. We investigate the reality-fiction binary in the works of such authors as J.M. Coetzee, Salman Rushdie, W.G. Sebald, Aleksandar Hemon, Chimamanda Ngozi Adichie, Junot Díaz, and Ocean Vuong, and show how their self-referential literary productions alter the way we perceive notions of truth and authenticity in contemporary literature. By combining a reader-oriented analysis with a postructuralist inquiry on writing and reading, we aim at providing a more comprehensive understanding of life writing in transnational immigrant narratives. 

Keywords: immigrant literature, life writing, autobiography, self-referential writing, truth, authenticity, storytelling.

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Vuong, Ocean. “Writer Ocean Vuong’s Debut Photography Series Memorializes the Nail Salons and Family Trips of His Youth.” Cultured Magazine, June 27, 2024. https://www.culturedmag.com/article/2024/06/27/writer-ocean-vuong-debut-photography.

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Autor: Ferenc VINCZE
Email: ferenc.vincze@univie.ac.at

Emigration as a Miracle: Banat as the Miraculous Place of the First Border Crossings

Abstract: This paper focuses on a recurring scene in fiction about emigration, the crossing of physical and geographical borders. The practice of crossing borders is an act of separation from the home, the familiar, and can be understood as a trigger for the later consequences of emigration, since this act creates the situation in which the emigrant experiences himself as a stranger, as a different person in the destination. In the literature on Eastern Europe, there have been many texts that thematize the act of crossing borders, but this thesis will focus on how the first—and to this extent most prominent—border crossing leading to emigration can be linked to the phenomenon of the miracle and, at the same time, to the region of Banat.

Keywords: emigration, miracle, transcultural phenomena, cultural transfer, Iris Wolff, Cătălin Dorian Florescu

Baghiu, Stefan and Ovio Olaru. “Capitalist Heterotopia & Lost Social Utopia: Documenting Class, Work, and Migration in Postcommunist East-Central European Fiction,” Central Europe 22, no. 1 (2024): 2–17

Bauer, Matthias, Nies, Martin, and Theele, Ivo. “Grenz-Übergänge: Zur ästhetischen Darstellung von Flucht und Exil” [Border crossings: On the aesthetic representation of flight and exile]. In Grenz-Übergänge. Zur ästhetischen Darstellung von Flucht und Exil in Literatur und Film [Border crossings. On the aesthetic representation of flight and exile in literature and film], edited by Matthias Bauer, Martin Nies, Ivo Theele, 7–16. Bielefeld: transcript, 2019.

Becker, Sabina. “Transnational, interkulturell und inter-disziplinär: Das Akkulturationsparadigma der Exilforschung” [Transnational, intercultural and interdisciplinary: The acculturation paradigm of exile research]. In Exil und Literatur. Neue Perspektiven, edited by Doerte Bischoff, Susanne Komfort-Hein, 49–70. Berlin–Boston: De Gruyter, 2013.

Borza, Cosmin and Claudiu Turcuș. “Tragicomedia Occidentului: emigrația economică în romanele și filmele românești din anii ’90” [The Tragicomedy of the Occident: Depictions of Economic Migration in the Romanian Novel and Film of the 1990s]. Transilvania, no. 5 (2024): 87-96.

Florescu, Cătălin Dorian. Vremea minunilor [Miracle time]. Bucharest: Editura Humanitas, 2022. Trad. de Adriana Rotaru.

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