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9 / 2019

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Revista: Revista Transilvania
Anul Publicarii:2019
Print ISSN: 0255 0539

Științe socio-umane

Arte vizuale

Filozofie și studii sociale

Antropologie și etnologie

Autor: Cristiana MERMEZE
Email: cristiana.mermeze@ulbsibiu.ro

Regeneration through Culture: Tradition – A New Cultural Industry

Between culture and tradition there has been developed, over the time, a new conection witch has been created due to human existence. Thus, the tradition cannot exist but within the frame of culture, whereas culture cannot creat a meaningful impact but within tradition. Tradition recalls the representative moments, customs, architecture and social relations of communities’ cultures. It is imposibile to assess the community environment without looking at what marked her existence: namely tradition. Tradition can therefore be the main vector of future cultural strategies. Cultural heritage can be accordingly identified as the new cultural industry.

Keywords: traditional culture, cumulative culture, development, comunities, cultural industry

Brown, William C. „Culture system.” griots.tripod. 1990. http://griots.tripod.com/scu/culture_systems.html.
Gao, Jing, Wu, Bihu. „Revitalizing traditional villages through rural tourism: A case study of Yuanjia Village, Shaanxi Province, China.” în Tourism Management, Decembrie 2016, pp. 223-233.
Kempea, Marius, Stephen J. Lycettb, și Alex Mesoudi. „From cultural traditions to cumulative culture: parameterizing the differences between human and nonhuman culture.” în Journal of Theoretical Biology, 21 Octombrie 2014, pp. 29-36.
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Whitena, Andrew, Erica van de Waal. „Social learning, culture and the ‘socio-cultural brain’ of human and non-human primates.” în Neuroscience & Biobehavioral Reviews, Noiembrie 2017, pp. 58-75.

Sociologie

Științe politice & juridice

Autor: Raluca MUREȘAN & Minodora SĂLCUDEAN
Email: raluca.muresan@ulbsibiu.ro

The involvement and the role of art in the #rezist civic actions in Romania

The present paper analyses the presence of art and artists during the largest protests from post-communist Romania, known as the #rezist protests. The research is applied to the protests from two perspectives: the first refers to the way in which, especially well-known, artists become influencers of protest movements, by joining the protesters in the streets, by intensively using social media or by creating artistic products that support the protests; the second perspective refers to the identification of various forms of action that entail a significant artistic component, employed by protesters in order to accomplish the desired results: mobilisation of participants, generating solidarity or gaining the media‘s attention. In this research we have combined quantitative and qualitative analysis of data in order to explore the presence of the artistic dimension during the protests from the beginning of 2017. The active involvement of notorious Romanian artists from different fields was unprecedented in Romania, as they had an important contribution in promoting the dominant way of thinking and, consequently, in creating a sense of solidarity and mobilising people. Activism was visible online and offline, as protesters showed their creativity in slogans, banners with humorous, ironic or uncompromising images and messages, in spectacular choreographies and laser projections but also in releasing manifesto-songs.

Keywords: social movements, culture, democracy, civil society, journalism.

Adams, Jacqueline. 2002. „Art in Social Movements: Shantytown Women’s Protest in Pinochet’s Chile.” Sociological Forum 17(1): 21-56.
Branagan, Marty. 2007. „The last laugh: humour in community activism.” Community Development Journal. 42(4): 470–481.
Cabalín, Cristian. 2014. „Online and Mobilized Students: The Use of Facebook in the Chilean Student Protests.” Comunicar 43: 25-33.
Castells, Manuel. 2015. Networks of Outrage and Hope: Social Movements in the Internet Age. Cambridge (UK): Polity Press.
Chaffee, Lyman G. 1993. Political Protest and Street Art: Popular Tools for Democratization in Hispanic Countries. Westport, CT: Greenwood Press.
Ciobanu, Cristian and Light, Duncan. 2017. „A New Geography of Protest in Bucharest.” In #rezist – Romania’s 2017 anti-corruption protests: causes, development and implications, ed. Ana Adi and Darren G. Lilleker. Berlin: Quadriga University of Applied Sciences.
Constanda, Alexandra. 2017. “Reactiile vedetelor si personalitatilor dup ace Guvernul a modificat legislatia penala: ‘Toata lumea va realiza ca singurul scop e sa-i salveze pe penali’.” [Celebrities’ reactions after the Government changed criminal legislation: «Everyone will realise that the only purpose is to free criminals»] Adevarul 1 February. https://goo.gl/dXWoLq (accesed February 11, 2018).
Corrigall-Brown, Catherine, and Wilkes, Rima. 2012. ”Picturing Protest: The Visual Framing of Collective Action by First Nations in Canada.” American Behavioral Scientist 56(2): 223-243.
Doerr, Nicole. 2010. „Politicizing Precarity, Producing Visual Dialogues on Migration: Transnational Public Spaces in Social Movements.” Forum: Qualitative Social Research 11(2).
Everhart, Katherine. 2012. „Cultura-Identidad: The Use of Art in the University of Puerto Rico Student Movement, 2010.” Humanity & Society 36(3): 198-219.
Eyerman, Ron. 2002. „Music in Movement: Cultural Politics and Old and New Social Movements.” Qualitative Sociology 25(3): 443-458.
Florescu, Remus. 2017. „Bob Radulescu, vocea epica a strazii: Cand ma va intreba copilul «Tati, tu ce ai facut cand astia au furat tara?», n-o sa-i spun ca am dat Like pe Facebook.” Adevarul, 21 February. [Bob Radulescu, the epic voice of the streets: When my child will ask me «Daddy, what did you do when they stole our country?», I will not say that I liked it on Facebook].https://goo.gl/XCzuxc (accesed February 11, 2018).
Futrell, Robert, Simi, Pete, and Gottschalk, Simon. 2006. „Understanding Music in Movements: The White Power Music Scene.” The Sociological Quarterly 47(2): 275–304.
Halfmann, Drew, and Young, Michael P. 2010. „War Pictures: The Grotesque as a Mobilizing Tactic.” Mobilization: An International Quarterly 15(1):1-24.
Howe, Neil, and Strauss, William. 2000. Millennials Rising: The Next Great Generation. New York: Vintage Book/Random House.
Isaac, Larry. 2009. „Movements, Aesthetics, and Markets in Literary Change: Making the American Labor Problem Novel.” American Sociological Review 74(6): 938-965.
Jupp, Victor. 2010. Dictionar al metodelor de cercetare sociala. [Dictionary of social research methods]. Iasi: Polirom.
Jurcan, Dan. 2017. „Protest in era digitala.” [Protest in the Digital Era]. Sinteza.
Morrison, Daniel., R. and Isaac, Larry W. 2012. „Insurgent Images: Genre Selection and Visual Frame Amplification in IWW Cartoon Art.” Social Movement Studies 11(1):61-78.
Moser, Annalise. 2003. „Acts of resistance: the performance of women’s grassroots protest in Peru.” Social Movement Studies 2(2) :177-190.
Paun, Ioana. 2017. „Romanian protests: how anti-corruption demonstration became an artistic spectacle.” The Calvert Journal 17 March.
Reed, T.V. 2016. „Protest as Artistic Expression.” In Protest Cultures: A Companion, ed. Katherin Fahlenbrach, Martin Klimke, and Joachim Scharloth. New York: Berghahn Books.
Roberts, Adam, and Ash, Timothy G. 2009. Civil Resistance and Power Politics: The Experience of Non-violent Action from Gandhi to Present. Oxford (UK): Oxford University Press.
Rosenthal, Rob. 2001. „Serving the movement: The role(s) of music.” Popular Music and Society 25(3-4): 11-24.
Roy, William G. 2010. „How Social Movements Do Culture.” International Journal of Politics, Culture, and Society 23(2-3): 85-98.
Shepard, Benjamin. 2010. Queer Political Performance and Protest: Play, Pleasure and Social Movements. New York: Routledge.
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Teune, Simon. 2005. „Art and the Re-Invention of Political Protest.” Paper presented at the 3rd ECPR Conference, Budapest, 8 – 10 September 2005.
Wouters, Ruud, and Van Camp, Kirsten. 2017. „Less than Expected? How Media Cover Demonstration Turnout.” International Journal of Press/Politics 22(4): 450–470.

Istorie & Antropologie

Studii culturale

Biblioteconomie

Științele limbii

Autor: Marius OPINCARIU
Email: opincariugroup@gmail.com

The Relevance Of Social Learning Designs in Society 5.0 – Edmodo and Smart Education –

In the attempt to accommodate the shift from society 4.0 to society 5.0, the higher education is required to incorporate native edutech models. The acceptance rate of such designs may be correlated with the adoption rate of the platforms that already enjoy widespread popularity. One such model that builds on the social networking architecture is Edmodo. Known as a social learning instrument, the Edmodo educational platform models significantly on Facebook’s social architecture and delivers a lucrative yet informal type of class design. Forming and delivering relevant and competitive knowledge, skills and abilities, mandates for the exploration of education as a lifestyle concept as well as for its quality of life implications in the era of ICT.

Keywords: edmodo, social networking learning, smart education, participative learning, educational data mining, foreign language acquisition, qol

Androsoff Andrei, Phongsatha Satha, A case study of the Schoology LMS at assumption college English program, Assumption University-eJournal of Interdisciplinary Research (AU-eJIR): Vol. 4. Issue. 2, 2019, pp. 102-111.
Arsovski Slavko, Quality of Life and Society 5.0, International Journal for Quality Research, Quality Festival 2019, pp. 775 – 780.
Campos de Aline, Cazella Sílvio César, Learning Analytics and Cognitive Computing to support personalized learning experiences, 2019 IEEE 19th International Conference on Advanced Learning Technologies (ICALT), pp. 389-391.
Drăgulescu Radu, Online Media and New Technologies in Teaching Linguistic Disciplines, Proceedings of the International Conference Globalization, Intercultural Dialogue and National Identity. Section: Language and Discourse, 1, Arhipelag XXI Press, Tîrgu-Mureş, 2014, pp. 134-145.
Drăgulescu Radu, Psycholinguistic and Neurolinguistic Approaches on Communicational Distorsions, The Proceedings of the International Conference Globalization, Intercultural Dialogue and National Identity. Section: Language and Discourse, 1, Arhipelag XXI Press, Tîrgu-Mureş, 2014, pp. 95-109.
Drăgulescu Radu, Qualitative Research on Learning Romanian as a Foreign Language in Endo-Linguistic Context, Revista Transilvania, Ianuarie, 2019, pp. 73-81.
Drăgulescu Radu, Trends and new technologies in teaching and learning General Linguistics. Edmodo, in Intercultural Exchanges in the age of globalization, Saarbrücken, LAP Lambert Academic Publishing, 2015, pp. 568-575.
Drăgulescu Radu, Observații Privind Anxietatea Învățării Limbii Române ca Limbă Străină și Comunicarea Interculturală, Revista Transilvania, Nr. 2, 2019, pp. 84-90.
Drăgulescu Radu, Considerații privind Statutul Limbii Române ca Limbă Maternă, Limbă Secundară și Limbă Străină, Revista Transilvania, Nr. 11-12, 2017, pp. 83-89.
Gómez Angélica, Á. Magreñán Alberto, Orcos Lara, UX of social network Edmodo in undergraduate engineering students, Special Issue on Teaching Mathematics Using New and Classic Tools, International Journal of Artificial Intelligence and Interactive Multimedia, Vol. 3, Nº4, 2015, pp. 31-36.
Jusoh Shaidah, Almajali Sufyan, Abualbasal Abdelraheem, A study of user experience for e-learning using
interactive online technologies, Journal of Theoretical and Applied Information Technology, August 2019, Vol. 97. No. 15, pp. 4036-4047.
Latif Muhammad Zahid, Intzar Hussain, Saeed Rizwan, Qureshi Muhammad Atif, Maqsood Umer, Use of Smart Phones and Social Media in Medical Education: Trends, Advantages, Challenges and Barriers, ACTA INFORM MED. 2019 JUN 27(2), pp. 133-138.
Mitra Anupam, Instructional design using edutech as teaching pedagogy, Jamshedpur Research Review-Govt. Regd., Refereed, Peer Reviewed, Multi-Disciplinary Research Journal, July-August 2019, Year-VII, Volume IV, ISS. XXXV, pp. 29-36.
Mulawarmani Mulawarman, Nugroho Imam Setyo, Susilawati Susilawati, Afriwilda Mayang T., Kunwijaya Indrajati, Enhancing self-esteem and optimism based on flipped classroom guidance on undergraduate counseling student in Indonesia, European Journal of Education Studies 2019, Volume 6, Issue 5, pps. 263-273.
Perks Bradley Joseph, Warchulski Daniel, Promoting Student Autonomy, Engagement and Interaction through Mobile-Assisted Language Learning, Context-Specific Computer-Assisted Language Learning: Research, Development and Practice, Asia-Pacific Association for Computer-Assisted Language Learning (APACALL), Toowoomba, Queensland, Australia, 2019, pp. 75-101.
Rohman Syaifur, et.al, An analysis of students’ literacy ability in mathematics teaching with realistic mathematics education based on lesson study for learning community, IOP Conf. Series: Journal of Physics: Conf. Series 1265 (2019) 012004, pp. 1-11.
Shinde Jayashree, Kamat Vasudha, Enhancing ICT Skills of faculty members from Higher Education, Pan – Commonwealth Forum, September 2019, Edinburgh Scotland, pp. 1-8.
Taskiran Ayse, A Contemporary Educational Network for Professional Development, The International Conference on E-Learning in the Workplace 2018, June 12th-14th, New York, NY, USA, pp. 1-6.
Ulker Unal, Reading Activities in Blended Learning: Recommendations for University Language Preparatory Course Teachers, International Journal of Social Sciences & Educational Studies, March 2019, Vol.5, No.3, pp. 83-94.
Wibowo Siswo Edi, Edmodo: Improving Student’s Writing Skill, Journal of English Teaching and Applied Linguistics, 2019, pp. 1-6.

Web resources

https://go.edmodo.com/about/
https://www.insidehighered.com/sponsored/product-problem-todays-higher-education

Autor: Radu DRĂGULESCU
Email: radu.dragulescu@ulbsibiu.ro

Expression of Latinity in Romanian Phytonymy from Southern Transylvania

On several occasions we presented the close connection between man and the plant world and the facts that underlie the denomination and connotation in this plan. Ethnobotany is a fertile source of information for (anthropological) linguistic research. Phononymy reveals the concerns, representations and affective subconscious of the people. The plant names have been suggested to humans by the mysterious “codes” present in the morphology, chromatics, smell, taste, constitution of plant species. Other phytonyms have derived from the different properties of the plants, from their ecology, corology and phenology, from the relationships with other living beings. The fact that they were recorded in various writings is a win for both the Romanian ethnobotany, as well as for linguistics and history.
Our work demonstrates the Latin origins of the Romanian language and the propagation of Latinity through botanical terminology, a phenomenon of considerable importance that has not yet been revealed. In this paper we analyze the phytonyms from Southern Transylvania and their implications in linguistic structures.

Keywords: romanian phytonymy, ethnobotany, linguistics, etimology, latinity

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Panţu, Z.C., Plantele cunoscute de poporul român/ The Plants known by Romanians, Bucureşti, ed. II, 1929.
Păcală, V., Monografia satului Răşinari/ Monography of Rășinari village, Sibiu, 1915.
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Științele economice

Antropologie. Studii filozofice

Teologie

Studii literare

Autor: Dorin COMȘA
Email: dorin.comsa@ulbsibiu.ro

Interlocks and Transfers between the Source Language and the Target Language

The article proposes a didactical perspective regarding the issue of transfers and interlocks ocurring in the process of translation, starting from the analysis of several text fragments translated from French into Romanian. The students approach translation either as result (text), or as process (meta-approach); in both situations, this raises a series of specific questions – starting with the subjective assessment of a translation’s level of difficulty (why does it seem easy or difficult?), continuing with its nature (how can one understand a specialized discourse ?), and reaching to specific discussions regarding the role, limitations, and frredoms of the translator.

Keywords: traductology, non-literary translations, translator formation, translation interlocks, translation transfers

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Lerat, Pierre, Les langues spécialisées, PUF, Paris, 1995
Ost, François, Traduire. Défense et illustration du multilinguisme, Fayard, 2009
Reiss, Katharina, Problématiques de la traduction, Ed. Economica, Bibliothèque de Traductologie, Vienne, 2009
Ricœur, Paul, Sur la traduction, Bayard, Paris, 2004

Autor: Rodica BRAD
Email: rodicabrad@gmail.com

Lamartine’s Voyage to the Orient: The Christian Poet and the Temptation of Syncretism

The journey of Lamartine to the Orient was crucial for the poet as well as for the future political man and thinker Lamartine. The wish to reach the Orient -a permanent wish for the spirit – materialized itself in a journey during which he lost his daughter but with the help of which he discovered the traces of God on Earth and began to think about the uniqueness of the Being and of the World, a philosophical foundation of a possible union of civilizations and of a religious syncretism.

Keywords: history of French literature, Lamartine, Orient/East, Christianity, culture, civilizations, syncretism

Lamartine, Alphonse de,  Sur la politique rationnelle, Paris, Ed. Gosselin, 1831
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Lamartine dans Henri Guillemin, Lamartine, Paris, Seuil, 1987

Autor: Anca-Simina MARTIN
Email: anca.martin@ulbsibiu.ro

Critical Reactions to and Early Research into Shakespeare’s Bawdy (Wordplay) in Romania(n)

Shakespeare’s wordplay and bawdy have largely been neglected for most of the playwright’s history in Romania. The only mentions made of this topic are often relegated to the occasional brief remark in paratexts or fleeting statements regarding characters that often deploy such language or stylistic device. Therefore, one cannot speak of a Romanian critical tradition in the case of Shakespeare’s obscene vocabulary and ribald puns. However, several hypotheses on the evolution of scholarly and translational attitudes towards these instances of language can be extracted from these sporadic comments and the quantitative and qualitative analyses conducted on the translation of the playwright’s bawdy and wordplay into Romanian. What this article aims to achieve is, on the one hand, to demonstrate that critiques of Shakespeare pun/ bawdy translation long predate contemporary studies of this kind and, on the other, to highlight the premises they give way to, which future research may validate or refute.

Keywords. pun, Romanian, Shakespeare, translation, translation criticism, wordplay

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Volceanov, George. “Bowdlerizing Shakespeare: Here, There, and Everywhere.” B.A.S British and American Studies. 1.11(2005): 117-130.
Volceanov, George. “On Shakespeare’s Bawdy and Its Translation into Romanian.” Argotica. 1.1(2012): 216-232.

Autor: Laura MAFTEI
Email: lauramaftei2002@yahoo.com

The Attraction to Endlessness

The human mind is made to desire the ending of every started action. In certain circumstances, as long as it doesn’t know the ending and neither the moment of the ending, it becomes restless and curious, prisoner of the time between the beginning and the end of an action. From the psychological view, the triggered and unfulfilled desire represents the basis of the so-called Zeigarnik effect, which was well studied in psychology and used in advertising. Sometimes an action that was initiated but impossible to finish causes an anxious effect for the human mind, as it is illustrated by the torments captured by the Ancients in the image of the Danaides’s barrel or the Sisyphus’s huge stone that must roll up a hill. Other times, the art to postpone the end means to preserve life, such is the case of the Scheherazade who tells never-ending stories to the king in order to offer him suspense and to keep her alive for one more night and so on. Music and sculpture also capture something about the idea of endlessness through the infinite melody and the Endless Column.

Keywords: Scheherazade, desire’s stress, advertising, Zeigarnik effect, Sisyphus, infinite melody, Endless Column.

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Autor: Ana-Blanca CIOCOI-POP
Email: anablanca.ciocoipop@ulbsibiu.ro

“These Things Don’t Go Away”: Jeffrey Eugenides’s “Fresh Complaint” – a Postcolonial Reading

Following a six year publishing break in the aftermath of his novel The Marriage Plot that appeared in 2011, the story collection Fresh Complaint was published in 2017 and contains ten stories focusing on Jeffrey Eugenides’ core topics of interest: the impossibility of coherent identity construction, personal and social loneliness and isolation, and the frailness and ephemerality of human connections. “Fresh Complaint”, the story that gives the collection its title, offers a postcolonial image of twenty-first century America, India and England, while keeping with the theme dearest to Eugenides’ heart: the gasping void that fills all human interaction and communication. The story masterfully thematizes one of postcolonialism’s central concerns, the one of the generational and cultural gap between first and second generation immigrants. The present paper’s attempt is to offer a postcolonial reading of Eugenides’ text, while also placing it in relation to his previous writings and main thematic concerns.

Keywords: Jeffrey Eugenides, “Fresh Complaint”, postcolonial, identity, colonialism, white guilt, first- and second-generation immigrants

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Autor: Radu VANCU
Email: rvancu@gmail.com

How and Why To Learn Beauty.“Rhyme-Subject” at Ezra Pound

The present study is focused on Ezra Pound’s two book-length essays, ABC of Reading and Guide to Kulchur, reading them from the perspective of what Ezra Pound first-called in a letter from 1927 to his father the “subject-rhyme” – namely “an ideogram of space and time”, as Pound also calls it somewhere else, that superposes heteregeneous cultural spaces and periods and constructs a sophisticated ideogram proving the strange continuities contiguities of beauty. Thus, reformations in art are for Pound always stemming deep into the tradition; and they involve not only the matter of literature – but essential matters concerning the human from economics, monetary theory, anthropology, history of the arts, history of philosophy etc. The “subject-rhyme” shows both how the complicated nature of beauty is a heteregenous ideogram traversing time – and also how it collects essential information about the human from various fields of knowledge, in order to reinvent the human on a superior scale – what Dante called trasumanare (Paradise, I 70).

Keywords: Ezra Pound, the invention of modernity, subject-rhyme, ABC of Reading, Guide to Kulchur

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Vancu Radu, Elegie pentru uman. O critică a modernității poetice de la Pound la Cărtărescu, Humanitas, București, 2016
Vancu Radu, „Liberalism and Lyricism in Midcentury American Poetry”, în American, British and Canadian Studies, decembrie 2016 (vol. 27), pp. 150-157

Autor: Cătălina RĂDESCU
Email: catalina.radescu@ulbsibiu.ro

The Prose of M. Blecher and Hortensia Papadat-Bengescu:
Between Augmented Experience and Fiction. II: Displays of Tuberculosis

The present research approaches comparatively the development of somatic-psychological frailties in the fictions of M. Blecher and Hortensia Papadat-Bengescu and explains—by referencing medical treatises—the ways in which illness, be it psychological or physical, bridges the relationship between characters and their external and internal worlds. Identifying a doubly determined link between disease and the personal and social conditions of its appearance and development, the study consists of two parts, with the current (the second one) complementing the first one and capturing the evolution of the characters Emanuel and Maxențiu in relation to the common illness they are suffering from (tuberculosis) and its distinctive branches (bone and pulmonary TB).

Keywords: Romanian literature, Romanian prose, M. Blecher, Hortensia Papadat-Bengescu, pathologic behavior, biographical criticism.

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Pojoga, Vlad, Poezia lui M. Blecher. Context cultural, apariție, receptare, date macro [M. Blecher’s Poetry. Cultural Context, Publishing, Reception, Macro Data], în Revista Transilvania, nr. 6, 2016, p. 22-27.
Sebastian, Mihail, Drumul ascuns [The Hidden Road], în România literară, 4 iunie 1932, reprodus în Hortensia Papadat-Bengescu, Concert din muzică de Bach – Trei romane [Bach Concert – Three Novels], Editura Minerva, București, 1975.
Sontag, Susan, Boala ca metaforă, [Illness as a Metaphor], Ed. Velant, Bucureşti, 2014.
Tudose, Florin, Cătălina Tudose, Letiția Dobranici, Tratat de psihopatologie și psihiatrie pentru psihologi [Psychopathology and Psychiatry Treatise for Psychologists], Editura Trei, București, 2011.
Tudor, Eugenia, Prefață la romane (vol I-II), ed. îngrijită de Gheorghe Radu, București, Editura pentru Literatură, 1966, reprodus în Hortensia Papadat Bengescu, Concert din muzică de Bach – Trei romane [Bach Concert – Three Novels], Editura Minerva, București, 1975.
Vancea, Viola (ed.), Hortensia Papadat-Bengescu, Antologie, Ed. Eminescu, București, 1976.
Vianu, Tudor, Arta prozatorilor români [The Art of Romanian Prose Writers], Ed. Orizonturi, București, 2010.

Autor: Ștefan FIRICĂ
Email: stefanfirica@yahoo.com

Eliade and Cioran, in the Mirror. Biographical and Ideological Subtexts of a 1933 Debate

In the summer and autumn of 1933 there takes place an interesting debate, both overt and covert, between Mircea Eliade and Emil Cioran, two significant representatives of the “young generation”. The texts involved in the intellectual duel are of different sorts: existentialist essays, reportages from Berlin, open letters, and even some fragments of fiction. The debate lies on the background of a rich, entangled extra-literary context. On the one hand, Eliade makes a turning-point decision in his private life, which affects, or more precisely hurts, a close friend of Cioran. On the other hand, the authors start to acknowledge deeper differences between their life-views, i.e. between their particular ways to define identity, an issue of great concern for them and for their ”generation”, at that time. The significance of this moment is confirmed by the fact that both writers will evoke it vividly, in their later memoirs. This article proposes a biographical and ideological reading of the polemic, by putting together some pieces written by Eliade and Cioran in the same timespan, around 1933-’34.

Keywords: modern Romanian literature, Cioran, Eliade, identity, political fiction, existentialism, nationalism

(nesemnat). Convertirea d-lui Mircea Eliade la românism / The Conversion of Mr. Mircea Eliade to Romanianism. În: Axa, nr. 18, 19 septembrie 1933, p. 3.
Cioran, Emil. Exerciții de admirație. Eseuri și portrete / Exercises of Admiration. Essays and Portraits, Traducere de Emanoil Marcu, București, Editura Humanitas, 1993.
Cioran, Emil. Opere. Vol. I-IV / Works. Vol. 1-4, Ediție îngrijită de Marin Diaconu, introducere de Eugen Simion. București, Academia Română, Fundația Națională pentru Știință și Artă, 2012-2017.
Eliade, Mircea. Huliganii / The Hooligans. Ediție îngrijită și cuvânt înainte de Mircea Handoca. București, Editura Garamond Internațional, 1995.
Eliade, Mircea. Întoarcerea din rai / The Return from Paradise. Ediție îngrijită și cuvânt înainte de Mircea Handoca. București, Editura Garamond, 1995
Eliade, Mircea. Invitație la bărbăție / Invitation to Manhood. În: Vremea, VI, nr. 307, 1 octombrie 1933, p. 3.
Eliade, Mircea. Memorii / Memoirs. Ediție și cuvânt înainte de Mircea Handoca. București, Editura Humanitas, 1991.
Eliade, Mircea. O convertire la românism / A Conversion to Romanianism. În: Cuvântul, nr. 3021, 22 septembrie 1933.
Eliade, Mircea. Oceanografie / Oceanography. Cu un desen inedit de Marcel Iancu. București, Editura Cultura Poporului, 1934.
Eliade, Mircea. Profetism românesc / Romanian Prophetism, vol. II. România în eternitate / Romania in Eternity. București, Editura Roza Vânturilor, 1990.
Ionescu, Nae. Roza vânturilor / The Wind Rose. București, Editura Roza Vânturilor, 1990.
Manolescu, Nicolae. Teme franceze. / French Topics Antologie, prefață, notă asupra ediției de Cristina Chevereșan. București, Editura Institutul Cultural Român, 2006.
Polihroniade, M. Românismul d-lui Mircea Eliade / The Romanianism of Mr. Mircea Eliade. În: Axa, nr. 19, 1 octombrie 1933.
Protopopescu, Valentin. Cioran în oglindă. Încercare de psihanaliză / Cioran in the Mirror. An Essay of Psychoanalysis. Editura Trei, București, 2003.
Țurcanu, Florin. Mircea Eliade. Prizonierul istoriei / Mircea Eliade. The Prisoner of History. Traducere din franceză de Monica Anghel și Dragoș Dodu, cu o prefață de Zoe Petre, Ediția a II-a revăzută. București, Editura Humanitas, 2007.
Vartic, Ion (realizator al rubricii). Dosar Sorana Țopa / A Sorana Țopa Dossier. În: Apostrof, an V, nr. 3-4 (46-47), 1994, p. 11-14.

Autor: Cosmin Ciotloș
Email: cosminciotlos@gmail.com

The Typesetter’s Luck

Although published together with Ion Luca Caragiale’s prose masterpieces in Minutes (Momente, 1901), the short story “High-life” was never considered to be one of his leading works. Nonetheless, the story did spark some interest, but this was only thanks to the riddle that Caragiale plants in his text: without any explicit identification, the narrator mentions a “terrible misprint” that must have seriously vitiated the meaning of an article commenting on the lives of the social elite, an article which was actually meant to be flattering. Critics have tried to unravel this mystery, ultimately agreeing on a single hypothesis. This present demonstration, which itself uses a title fashioned in Caragiale’s style, shows that the writer has actually implemented a very intricate narrative artifice, reaching through this farce in “High-life” the same level of mastery that we encounter in some of Caragiale’s best short works of fiction. Caragiale solicits the one and only solution to a problem that deliberately allows almost thirty possible equally plausible answers and thus invents a sui generis genre that could be called pasquinade with no slander.

Keywords: modern Romanian literature, Caragiale, “High-life”, sexuality, corruption, allusion, wordplay, Eminescu, Maiorescu, Alexandru Depărățeanu

Anghel, D. Petre (ed.), Istoria literaturii române de la origini până în prezent. Dosarul critic / The History of Romanian Literature from Its Origins to the Present. The Critical Dossier, tabel cronologic de Rodica Pandele, București, Eminescu, 1993
Caragiale, I.L., Opere I. Proză literară în volume / Works I. Literary Prose in Volumes, prefață de Eugen Simion, ediția a doua, revăzută și adăugită de Stancu Ilin, Nicolae Bârna, Constantin Hârlav, București, Academia Română, Editura Fundației Naționale pentru Știință și Artă, 2011
Caragiale, I.L., Opere IV. Publicistică / Works IV. Articles, ediția a doua, revăzută și adăugită de Stancu Ilin și Constantin Hârlav, București, Academia Română, Fundația Națională pentru Știință și Artă, 2011
Caragiale, I.L., Opere. V. Corespondență / Works V. Letters, ediția a doua, revăzută și adăugită de Stancu Ilin, Constantin Hârlav, prefață de Eugen Simion, București, Academia Română, Fundația Națională pentru Știință și Artă, 2011
Cioculescu, Șerban, Caragialiana, București, Editura Eminescu, 1987
Ciorănescu, Al., Alexandru Depărățeanu. Studiu critic, București, Monitorul Oficial și Imprimeriile Statului & Imprimeria Națională, 1936
Ciotloș, Cosmin, „Cum anume, nene Iancule?”, în România literară nr. 18, 4-10 mai 2012
Depărățeanu, Alexandru, Scrieri, ediție îngrijită, prefață, note și bibliografie de Dumitru Bălăeț, București, Minerva, 1982
Eminescu, Mihai, Publicistică literară. Convorbiri literare. Curierul de Iași. Timpul. Fântâna Blanduziei, selecție, note și prefață de Cătălin Cioabă și Ioan Milică, București, Humanitas, 2018
Iaru, Florin, „Caragiale n-a vrut să răspunză – dezvăluirea secretului lui nenea Anghelache”, în Dilema veche nr. 783, 17-23 mai 2018
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Maiorescu, Titu, Opere. I. Jurnal. Volumul I: 1855-1882, ediție critică coordonată de Bogdan Mihai Dascălu, text stabilit, traducere, notă asupra ediției, note, glosar și indici de Ana-Maria Dascălu și Bogdan Mihai Dascălu, tabel cronologic de Tiberiu Avramescu, prefață de Eugen Simion, București, Academia Română, Fundația Națională pentru Știință și Artă, 2013
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